Harvard Art Museums > 1922.77: Princely Equestrian Portrait Albums Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Princely Equestrian Portrait , 1922.77,” Harvard Art Museums collections online, Nov 02, 2024, https://hvrd.art/o/216770. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1922.77 Title Princely Equestrian Portrait Classification Albums Work Type album folio Date 18th century Places Creation Place: South Asia, India, Himachal Pradesh Culture Indian Persistent Link https://hvrd.art/o/216770 Physical Descriptions Medium Opaque watercolor and gold on paper; Pahari Style. Dimensions 30.4 x 19.2 cm (11 15/16 x 7 9/16 in.) image: 19.7 x 12.8 cm (7 3/4 x 5 1/16 in.) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross Accession Year 1922 Object Number 1922.77 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Against a green background and facing left is a mounted prince. He bears a dark mustache and full, dark beard. He wears a red turban held by a gold band a decorated with a black plume, which denotes his princely status. The figure also wears a gold overcoat that exposes his long, pink robe (jama) and waist sash (patka) with decorative ends. His left hand holds onto the edge of his jacket while the right holds onto the reins of his trotting, caparisoned horse. Behind him is a large, black shield (dhal) and the sheath of his sword (talwar) can be seen from the other side. In front of his horse is an attendant wearing a striped turban, a red jacket, a waist sash, cropped trousers, and red shoes. He holds in his left hand a recurved bow. The prince looms large in the painting in comparison to the attendant, in order to signify his status. Pahari style. Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
