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Identification and Creation

Object Number
1972.360
Title
Gopis Thinking of Krishna
Classification
Paintings
Work Type
painting
Date
c. 1690
Places
Creation Place: South Asia, India, Rajasthan, Bikaner
Culture
Indian
Persistent Link
https://hvrd.art/o/216691

Physical Descriptions

Medium
Opaque watercolor and gold on paper; Rajput School, Bikaner Style
Dimensions
23.34 x 17.94 cm (9 3/16 x 7 1/16 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith
Accession Year
1972
Object Number
1972.360
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
In the foreground of this painting, a group of five gopis (milkmaids) are shown in engaging in different forms of contemplation over Krishna, the eighth avatar of the Hindu god Vishnu who is worshipped as a god in his own right. Two converse with each other; two are seated, one of which has her hand under her chin; and the final one holds onto the branches of a tree. Her pose references the Virahotkanthita Nayika, (“One Distressed by Separation”), a heroine that waits for her lover to return from a long journey. Across the river, in the background, Krishna walks along the bank, outside the walls of a large, white city. Rajput School, Bikaner Style.

Publication History

  • Stuart Cary Welch and Milo Cleveland Beach, Gods, Thrones, and Peacocks Northern Indian Painting from Two Traditions, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1965), page 70/figure 22
  • Elisabeth Barro, "Zangar: A Study of Green Pigments Used at the Mughal and Rajput Courts" (Bachelor's thesis, Harvard University, 1997), Unpublished, pp. 1-82 passim

Exhibition History

  • Ambassador's Choice: The Galbraith Collection of Indian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 02/15/1986 - 04/06/1986
  • Gods, Thrones, and Peacocks - Revisited: Northern Indian Miniatures from two Traditions, Fifteenth to Nineteenth Centuries, Harvard University Art Museums, Cambridge, 03/31/1990 - 06/10/1990
  • From India's Hills and Plains: Rajput Painting from the Punjab and Rajasthan, 17th through 19th Centuries, Harvard University Art Museums, Cambridge, 09/04/1993 - 10/31/1993
  • Rasika, the Discerning Connoisseur: Indian Paintings from the John Kenneth Galbraith Collection, Harvard University Art Museums, Cambridge, 01/31/1998 - 04/05/1998
  • The Sensuous and the Sublime: Representations of Love in the Arts of the Middle East and Southern Asia, Harvard University Art Museums, Cambridge, 07/07/2001 - 12/30/2001

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu