Harvard Art Museums > 1960.17: Tile Panel with Decoration of Composite Flowers and Serrated Leaves Architectural Elements Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Tile Panel with Decoration of Composite Flowers and Serrated Leaves , 1960.17,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/216546. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Gallery Text The Ottoman dynasty established the largest Islamic empire of the early modern era. At the peak of their powers in the sixteenth century, the Ottomans built numerous large architectural projects, especially in the capital city of Istanbul. Many of the projects were designed by the renowned head architect Sinan. Ceramic tiles were part of his carefully planned interior and exterior decorations. Working with court-supplied designs, potters in the city of Iznik created some of the world’s best-known and most coveted ceramics. Ottoman tiles of the early sixteenth century, such as the hexagonal examples here, are indebted to earlier Persian tiles in their colors and shapes. In the 1550s, Ottoman potters developed an underglaze emerald green and a bright red that yielded a powerful palette visible at a distance. These colors, along with the newly developed modular square tiles, worked well for decoration that covered great expanses of wall. Larger, single tiles were used to highlight architectural elements such as doors and windows. Identification and Creation Object Number 1960.17 Title Tile Panel with Decoration of Composite Flowers and Serrated Leaves Classification Architectural Elements Work Type architectural element Date c. 1570 Places Creation Place: Middle East, Türkiye (Turkey), Iznik Period Ottoman period Culture Ottoman Persistent Link https://hvrd.art/o/216546 Location Location Level 2, Room 2550, Art from Islamic Lands, The Middle East and North Africa View this object's location on our interactive map Physical Descriptions Medium Fritware, underglaze painted Technique Underglazed, painted Dimensions 39.3 x 67.5 x 2.5 cm (15 1/2 x 26 9/16 x 1 in.) Provenance Recorded Ownership History John Goelet, New York, NY, (by 1960), gift; to Fogg Art Museum, 1960. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Goelet Accession Year 1960 Object Number 1960.17 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The Ottoman dynasty established the largest Islamic empire of the early modern era. At the peak of their powers in the sixteenth century, the Ottomans built numerous large architectural projects, especially in the capital city of Istanbul. Many of the projects were designed by the renowned architect Sinan. Ceramic tiles were part of his carefully planned interior and exterior decorations. Using blue, emerald green, and a bright red yielded a powerful palette visible at a distance. These colors, along with the newly developed modular square tiles, worked well for decoration that covered great expanses of wall. Larger, single tiles such as this one were used to highlight architectural elements such as doors and windows. Publication History Middle East Studies Association Bulletin, Middle East Studies Association Bulletin, 1, July 1983, Pg. 1 Walter B. Denny and Aileen Ribeiro, Court and Conquest: Ottoman Origins and the Design for Handel's Tamerlano at the Glimmerglass Opera, exh. cat., Kent State University Museum (Kent State, OH, 1999), page 38/figure 36 Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 84 Exhibition History Arabesque, Harvard University Art Museums, Cambridge, 12/01/1990 - 03/24/1991 Woven, Hammered, and Thrown: Textiles and Objects from the Islamic World, Harvard University Art Museums, Cambridge, 06/22/1991 - 08/18/1991 Pattern and Purpose. Decorative Arts of Islam., Harvard University Art Museums, Cambridge, 02/19/1994 - 07/03/1994 Court and Conquests, Ottoman Origins and the Designs for Handel's "Tamerlano" at the Glimmerglass Opera, Equitable Gallery, New York, 11/18/1998 - 01/23/1999; Kent State University Museum, Kent, 02/17/1999 - 04/25/1999 A Grand Legacy: Arts of the Ottoman Empire, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/09/1999 - 01/02/2000 The Enlightened Eye: Gifts from John Goelet, Harvard University Art Museums, Cambridge, 02/12/2000 - 05/07/2000 Overlapping Realms: Arts of the Islamic World and India, 900-1900, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 12/02/2006 - 03/23/2008 32Q: 2550 Islamic, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050 Subjects and Contexts Collection Highlights Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
