1931.127: Star Tile with Vegetal Motifs and Inscription
Architectural ElementsA flat, lusterware tile that is in the shape of an eight pointed star on a white background. It is colored a dark brown/grey with a white, patterned band framing the inside of the star shape. The white band has dark, thin Arabic writing throughout. White lines make a symmetrical, swirling floral pattern in the center of the piece with large leaves surrounding smaller, rounded leaves. There are small swirls in between the larger patterning.
Gallery Text
Perhaps the most important contribution of Muslim potters, the application of luster to a ceramic surface was not limited to vessels. As early as the ninth century, this costly technique was applied to wall tiles to distinguish parts of buildings. In the eastern Islamic lands during the medieval era, the use of colored tiles — decorated with luster but with other techniques as well — increased in complexity and scope. In both religious and secular buildings, large surface areas came to be sheathed in brilliant ceramic revetments. The use of glazed ceramics for architectural decoration continued into the early modern era, culminating in the great monuments of the Safavid and Ottoman Empires.
The luster tiles gathered here would have been integrated into the decoration of buildings of the Seljuk-Atabeg (1037–c. 1220) and Ilkhanid (1256–1335) periods. Although the star tiles bear self-contained designs, they were intended to interlock with cruciform tiles in a grid. Three of the tiles feature inscriptions. The two large stars, which were probably intended for the interior of a religious shrine, reproduce verses from the Qurʾan in Arabic. The tile with figural imagery bears fragments of poetry in Persian, demonstrating the revival of Persian as a literary language in the medieval era.
Identification and Creation
- Object Number
- 1931.127
- Title
- Star Tile with Vegetal Motifs and Inscription
- Classification
- Architectural Elements
- Work Type
- architectural element
- Date
- 1261-1262
- Places
- Creation Place: Middle East, Iran, Kashan
- Period
- Ilkhanid period
- Culture
- Persian
- Persistent Link
- https://hvrd.art/o/216476
Location
- Location
-
Level 2, Room 2550, Art from Islamic Lands, The Middle East and North Africa
Physical Descriptions
- Medium
- Composite body, underglaze painted with overglaze luster
- Technique
- Lusterware
- Dimensions
- Diam. 31 x 1.5 cm (12 3/16 x 9/16 in.)
Provenance
- Recorded Ownership History
- Denman Waldo Ross, Cambridge, MA, (by 1931), gift; to Fogg Art Museum, 1931.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross
- Accession Year
- 1931
- Object Number
- 1931.127
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- The tile is from the Imamzada Yahya shrine in Varamin. The inscriptions begin with the Basmala followed by Qurʾan 17:78-81. The date 660 H. (1261-1262) is inscribed on tile 1931.128.
Exhibition History
- Islamic Art From the Collections of the Fogg Art Museum, Harvard University, Fogg Art Museum, Cambridge, 08/01/1974
- Enter Ye the Garden: Prayer Rugs of Islam, Harvard University Art Museums, Cambridge, 05/26/1989 - 08/20/1989
- Islamic Art: The Power of Pattern, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 09/23/1989 - 01/17/1990
- Pattern and Purpose. Decorative Arts of Islam., Harvard University Art Museums, Cambridge, 02/19/1994 - 07/03/1994
- 32Q: 2550 Islamic, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu