1972.346: Gauri Ragini (painting, recto; text, verso), from a Ragamala (Garland of Melodies) Series
Manuscripts
This object does not yet have a description.
Identification and Creation
- Object Number
- 1972.346
- Title
- Gauri Ragini (painting, recto; text, verso), from a Ragamala (Garland of Melodies) Series
- Other Titles
- Alternate Title: Girl in a forest landscape, lotus pool in foreground
- Classification
- Manuscripts
- Work Type
- manuscript folio
- Date
- c. 1640-1660
- Places
- Creation Place: South Asia, India, Central India, Malwa
- Culture
- Indian
- Persistent Link
- https://hvrd.art/o/216469
Physical Descriptions
- Medium
- Opaque watercolor on paper; Malwa Style
- Dimensions
- 23.65 x 15.72 cm (9 5/16 x 6 3/16 in.)
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith
- Accession Year
- 1972
- Object Number
- 1972.346
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
The Gauri Ragini is meant to evoke a contemplative mood and is commonly represented by a female heroine (nayika) who is lovesick and reminisces about her lover in a forest. She typically holds flowers in her hands and her song and dance attract peacocks. Here, in this painting, the female figure, surrounded by lush trees, carries a large branch of flowers. On the top of a canopy is a peacock spreading its wings. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation). This folio most likely belonged to an album of Ragamala or "Garland of Melodies" folios produced in Malwa. Sanskrit verses associated with the raga or the ragini depicted on the recto are written on the verso. Other folios from the same series in the Harvard Art Museum’s collection are objects 1972.347, 1973.156, 1973.157, 1973.158, 1973.173, 1973.174. Rajput, Rajasthani, Malwa School.
Publication History
- Stuart Cary Welch and Milo Cleveland Beach, Gods, Thrones, and Peacocks Northern Indian Painting from Two Traditions, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1965), page 66/figure 16b
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu