- Identification and Creation
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- Object Number
- 1974.112
- People
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Attributed to Mola Ram, Indian
- Title
- Krishna Quells the Serpent Kaliya, Folio from a Bhagavata Purana (History of God) series
- Other Titles
- Title: Krishna Quells the Serpent Kaliya
- Classification
- Paintings
- Work Type
- painting
- Date
- late 18th century
- Places
- Creation Place: South Asia, India, Himachal Pradesh
- Culture
- Indian
- Persistent Link
- https://hvrd.art/o/216331
- Physical Descriptions
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- Medium
- Ink, opaque watercolor, and gold on paper
- Dimensions
- 23.6 x 16.6 cm (9 5/16 x 6 9/16 in.)
- Acquisition and Rights
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- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Mr. and Mrs. Peter Bienstock
- Accession Year
- 1974
- Object Number
- 1974.112
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Descriptions
-
- Description
- The painting depicts Krishna, the eighth avatar of Vishnu who is worshipped as a deity in his own right, holding up a multi-hooded snake in the swirling waters of the Yamuna River. The blue-skinned god is surrounded by women that are have snake (naga) half human. The image depicts a scene from the Bhagavata Purana, (History of God). The Bhagvata Purana is one of the eighteen Mahapuranas (Great Histories) and is a revered text in Vaishnavism, a Hindu tradition that worships Vishnu. Produced sometime between the sixth and tenth century, the text promotes bhakti (devotion) to Krishna. When Krishna was a youth, he went into the Yamuna River to rescue his ball. He encountered, Kaliya, a poisonous snake (naga) with 110 hoods. The serpent wrapped his body around Krishna, but the deity expanded his body, causing Kaliya to release him. Then, Krishna assumed the weight of the universe and danced on the naga’s hoods, beating time with his feet. Kaliya’s wives begged Krishna to show mercy for their dying husband, depicted here. The awesomeness of Krishna’s size and strength is denoted through his ease in holding up the fearsome serpent. Although Krishna could have vanquished Kaliya, he showed the creature mercy and pardoned him.
- Exhibition History
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The Arts of Krishna Bhakti, Fogg Art Museum, Cambridge, 03/09/1983 - 05/01/1983
Out of the Hills: Miniature Painting from Himalayan India, Harvard University Art Museums, Fogg Art Museum, Cambridge, 05/26/1984 - 07/08/1984
32Q: 2590 South and Southeast Asia, Harvard Art Museums, Cambridge, 04/19/2018 - 11/07/2018
A Colloquium in the Visual Arts , Harvard Art Museums, Cambridge, 09/04/2021 - 01/02/2022
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This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu