Harvard Art Museums > 1973.147: Todi Ragini, Illustration from a Ragamala (Garland of Melodies) Series Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Todi Ragini, Illustration from a Ragamala (Garland of Melodies) Series , 1973.147,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/216289. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1973.147 Title Todi Ragini, Illustration from a Ragamala (Garland of Melodies) Series Classification Paintings Work Type painting Date c. 1790 Places Creation Place: South Asia, India, Rajasthan, Uniara Culture Indian Persistent Link https://hvrd.art/o/216289 Physical Descriptions Medium Opaque watercolor and gold on paper; Rajput Style, Uniara School Dimensions 27.31 x 19.69 cm (10 3/4 x 7 3/4 in.) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith Accession Year 1973 Object Number 1973.147 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Todi Ragini evokes both tenderness and sadness, and is commonly represented by a young heroine (nayika) in a forest separated from her lover. In this painting, she is shown carrying a vina, a multi-stringed instrument distinct to the Indian subcontinent. Her music has attracted black buck deer, which are also a typical feature in Todi Ragini paintings. Along the lotus-filled river are large cranes. The lush trees seem to rhythmically sway, alluding to the musical nature of the work. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. Rajput Style, Uniara School. Publication History Stuart Cary Welch and Milo Cleveland Beach, Gods, Thrones, and Peacocks Northern Indian Painting from Two Traditions, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1965), page 94/figure 58 Exhibition History Gods, Thrones, and Peacocks - Revisited: Northern Indian Miniatures from two Traditions, Fifteenth to Nineteenth Centuries, Harvard University Art Museums, Cambridge, 03/31/1990 - 06/10/1990 From India's Hills and Plains: Rajput Painting from the Punjab and Rajasthan, 17th through 19th Centuries, Harvard University Art Museums, Cambridge, 09/04/1993 - 10/31/1993 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
