Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1974.128
Title
Young Krishna and His Friends Steal Butter (painting, recto), folio from a Bhagavata Purana series
Other Titles
Series/Book Title: Known as the ‘Tula Ram’ Bhagavata Purana series
Classification
Manuscripts
Work Type
manuscript folio
Date
17th century
Places
Creation Place: South Asia, India, Gujarat
Culture
Indian
Persistent Link
https://hvrd.art/o/216134

Physical Descriptions

Medium
Opaque watercolor on paper
Dimensions
26.7 × 22.9 cm (10 1/2 × 9 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Mr. and Mrs. Peter Bienstock
Accession Year
1974
Object Number
1974.128
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
The painting depicts the blue-skinned Hindu god Krishna multiple times in the act of stealing butter. Krishna’s childhood mischiefs are popular tales from the tenth book of the Bhagavata Purana, particularly where the women of Vrindavan kept the butter they had prepared from Krishna’s reach by hanging the pots from the ceilings out of his reach. Yet, Krishna could always reach them by climbing on platforms and with a little help from his friends. Krishna is accompanied by monkeys in this painting, swift and agile to climb anywhere to reach their favorite treat. At the lower right, we see Krishna's mother Yashoda catching him red-handed, asking him to open his mouth which is full of butter.

The folio belongs to the so-called 'Tula Ram' Bhagavata Purana series, produced during the 17th century in Gujarat, representing events from the tenth book of the Bhagavata Purana. The name is derived from the last known person to have possession of the entire series, Tula Ram, a mid-twentieth-century dealer from Delhi. Originally known to be seventy in number, a key characteristic of the paintings from this series is the freedom of expression evident in the style of rendering the figures and their surroundings, possibly indicating the work of several artists. Other folios from the same Bhagavata Purana series in the Harvard Art Museum’s collection are objects 1960.53, 1974.129, 1995.119. Gujarati Style.

Exhibition History

  • The Arts of Krishna Bhakti, Fogg Art Museum, Cambridge, 03/09/1983 - 05/01/1983
  • From India's Hills and Plains: Rajput Painting from the Punjab and Rajasthan, 17th through 19th Centuries, Harvard University Art Museums, Cambridge, 09/04/1993 - 10/31/1993

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu