BR49.258: Tea Glass Holder
VesselsThe short, wide receptacle for a beverage is of clear glass. A band of silver metal with ebony discs on opposite sides wraps three-quarters around the top of the glass. One ebony disc is set vertically, the other horizontally.
Gallery Text
Bauhaus artists and designers sought to revolutionize society by radically reshaping the environments in which people lived. The objects in this case, products of the school’s metal, pottery, and carpentry workshops, reflect innovative approaches to the design of everyday household items—from the minimalist rethinking of the ornate tea glasses of eastern Europe to the transformation of chess pieces into pure geometric form. The design of decorative art objects at the Bauhaus was as strongly informed by modern artistic theories as the paintings and sculpture produced there. The table lamp, for example, made in the metal workshop when the constructivist artist László Moholy-Nagy served as its director, explores the circular form in three dimensions: as a disk, cylinder, and sphere. Now considered an icon of Bauhaus design, in 1924 the lamp failed to achieve the Bauhaus goal of creating objects well suited for industrial production, due to its high fabrication cost. Relatively few Bauhaus objects were mass-produced, in fact, despite the school’s efforts to establish partnerships with industry. The objects’ extreme modernity and frequently high prices made them less appealing to the general public and relatively uncommon outside the homes of artists and intellectuals and the Bauhaus buildings.
Identification and Creation
- Object Number
- BR49.258
- People
-
Josef Albers, American (Bottrop, Germany 1888 - 1976 New Haven, Conn.)
- Title
- Tea Glass Holder
- Classification
- Vessels
- Work Type
- holder
- Date
- 1926
- Culture
- German
- Persistent Link
- https://hvrd.art/o/215226
Location
- Location
-
Level 1, Room 1520, Modern and Contemporary Art, Art in Germany Between the Wars
Physical Descriptions
- Medium
- Chrome-plated steel and ebony
- Dimensions
- 13.34 cm (5 1/4 in.)
- Technical Details
-
Chemical Composition: XRF analysis showed that the metal band on both holders (BR49.258 and .259) had high levels of chromium, iron and nickel, corresponding to chrome-plated steel. Chrome plating of steel is a two phase process with the clean steel first electroplated with nickel and then subsequently plated with chromium, hence both nickel and chromium are present. Kathy Eremin, January 2013
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Gift of Walter Gropius
- Copyright
- © Artists Rights Society (ARS), New York
- Accession Year
- 1949
- Object Number
- BR49.258
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Exhibition History
- Bauhaus Art and Design, Busch-Reisinger Museum, Cambridge, 06/07/1982 - 10/30/1982
- 32Q: 1520 Art in Germany Between the Wars (Interwar and Bauhaus), Harvard Art Museums, Cambridge, 11/16/2014 - 12/10/2018; Harvard Art Museums, Cambridge, 08/05/2019 - 01/01/2050
- The Bauhaus and Harvard, Harvard Art Museums, Cambridge, 02/08/2019 - 07/28/2019
Subjects and Contexts
- The Bauhaus
Related Digital Tours
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu