1916.396: Fragment with Two Vines
Textile Arts
This object does not yet have a description.
Identification and Creation
- Object Number
- 1916.396
- Title
- Fragment with Two Vines
- Classification
- Textile Arts
- Work Type
- textile
- Date
- 4th-6th century
- Places
- Creation Place: Africa, Egypt
- Period
- Byzantine period
- Culture
- Byzantine
- Persistent Link
- https://hvrd.art/o/215133
Physical Descriptions
- Medium
- Linen and wool
- Technique
- Woven, tapestry weave
- Dimensions
- 12.7 x 58.42 cm (5 x 23 in.)
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of DR. D. ROSS
- Accession Year
- 1916
- Object Number
- 1916.396
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
Two inwoven tapestry woven bands run across this textile. The bands take the form of thick undulating vines with grape leaves occurring at regular intervals. Each leaf is preceded and followed by two or three grapes. Light dots run along the center of each vine. The tapestry bands are separated by a section of plain woven linen. The linen warps run perpendicular to the direction of the bands. The vines are created with purple wool and undyed linen wefts.
The bands are set fairly close together, and so probably do not represent the clavi of a tunic. The textile may come from a furnishing—purple stripes were favorite motifs for furnishing textiles since Greek and Roman times—or another form of garment like a shawl. Furnishings from the domestic environment were often repurposed to wrap a body in a burial, and the staining on this textile confirms this use.
- Commentary
-
The vine motif is associated with Dionysus and evoked the good life, rebirth, and salvation in Late Antiquity. Dionysiac imagery was appreciated by pagans and Christians alike in the Early Byzantine period. For more on this topic, see Glen Bowersock, “Dionysus and His World,” in Hellenism in Late Antiquity (Ann Arbor: University of Michigan Press, 1990), pp. 41-53.
The use of purple in textiles, whether true purple dye from the murex shellfish or imitations, was meant to signal wealth.
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu