Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1931.43
Title
Sleeve Band: Personification
Classification
Textile Arts
Work Type
textile
Date
6th-9th century
Places
Creation Place: Ancient & Byzantine World, Africa, Egypt (Ancient)
Period
Byzantine period, Early
Culture
Byzantine
Persistent Link
https://hvrd.art/o/212857

Location

Location
Level 3, Room 3620, University Study Gallery
View this object's location on our interactive map

Physical Descriptions

Medium
Wool and linen, tapestry weave
Technique
Woven, tapestry weave
Dimensions
32.5 x 17.4 cm (12 13/16 x 6 7/8 in.)
Inscriptions and Marks
  • inscription: ΓΕΩΡΓΕ

Provenance

Recorded Ownership History
Collection Besselièvre, Paris (by 1911), sold; Charles Bain Hoyt (by 1931), gift; to the Fogg Museum.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Charles Bain Hoyt
Accession Year
1931
Object Number
1931.43
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
In the central roundel is a bust of a female personfication dressed in a green robe dotted with white. She holds a budding bough in each hand. Above her is an inscription in Greek letters reading ΓΕΩΡΓΕ (Georgi). The four smaller roundels contain nereids riding sea creatures. Horizontal bands containing red flowers alternate with blue bands containing fish.
Commentary
The shape of this fragment suggests that it once was the sleeve band of a tunic. Textiles that once have also belonged to the same tunic can be found in the Abegg-Stiftung Collection in Riggisberg (Inv. Nr. 1085) and the Musee du Perigord (Inv. Nr. 3 178-1). The piece in the Abegg is a sleeve band with the same dimensions as our band and an identical similar composition.1 The personification on that band is labeled ΣΟΦIΑ (Wisdom). The Musee du Perigord contains part of a shoulder patch and clavi bands with similar design elements.2

1. Schrenk, Sabine. Textilien des Mittelmeerraumes aus spatantiker bis fruhislamischer Zeit. Riggisberg: Abegg-Stiftung, 2004.

2. L'Egypte en Périgord: Dans les pas de Jean Clédat. Catalogue raisonné de l'exposition, Musée du Périgord, 16 mai - 15 septembre 1991. Paris: Editions Peeters, 1991.

Publication History

  • Annemarie Stauffer, Spätantike und koptische Wirkereien: Untersuchungen zur ikonographischen Tradition in spätantiken und frühmittelalterlichen Textilwerkstätten, exh. cat., Verlag Peter Lang (Bern, Switzerland, 1992), 143-35, 244
  • Ioli Kalavrezou, Byzantine Women and Their World, exh. cat., Harvard University Art Museums (Cambridge, MA, 2003), p. 272/fig. 162

Exhibition History

  • Byzantine Women and Their World, Harvard University Art Museums, Cambridge, 10/25/2002 - 04/28/2003
  • 32Q: 3740 Egyptian, Harvard Art Museums, Cambridge, 11/28/2017 - 06/20/2018
  • 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 08/31/2024 - 01/05/2025

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu