Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
2013.59
People
Unknown Artist
Traditionally attributed to Mori Sosen 森狙仙, Japanese (Nagasaki or Nishinomiya 1747 - 1821)
Title
Three Monkeys
Classification
Paintings
Work Type
hanging scroll, painting
Date
possibly 19th century
Places
Creation Place: East Asia, Japan
Period
Edo period, 1615-1868
Culture
Japanese
Persistent Link
https://hvrd.art/o/211739

Physical Descriptions

Medium
Hanging scroll; ink and light color on paper
Dimensions
painting proper: H. 77.5 x W. 47.9 cm (30 1/2 x 18 7/8 in.)
mounting, inlcuding suspension core and roller ends: H. 176.2 x W. 67.5 cm (69 3/8 x 26 9/16 in.)

Provenance

Recorded Ownership History
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013.

Footnotes:
1. Louis V. Ledoux (1880-1948)
2. L. Pierre Ledoux (1912-2001)
3. On long term loan to Harvard Art Museums from 1981 to 2013.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband
Accession Year
2013
Object Number
2013.59
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
In this hanging scroll, executed in ink and color on paper, three monkeys – two adults and a baby – sit gathered together on the ground amid a small cluster of sparse grasses and vegetation. The baby sits in profile and looks upward at one of the adults, who is likewise looking upward to the left. Another adult monkey sits behind the first adult, facing front, with its proper right hand resting on his companion’s shoulder. A dated inscription and two red square intaglio seals appear at the lower right edge of the painting.

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu