2013.48: Shaka Nyorai (Shakyamuni Buddha) with the Bodhisattvas Monju Bosatsu (Mañjusrî) and Fugen Bosatsu (Samantabhadra); Shakyamuni Triad (Shaka sanzon zō)

Identification and Creation

Object Number

2013.48

People

Unknown Artist
Traditionally attributed to Takuma Eiga, Japanese (fl. 1312 - 1316)

Title

Shaka Nyorai (Shakyamuni Buddha) with the Bodhisattvas Monju Bosatsu (Mañjusrî) and Fugen Bosatsu (Samantabhadra); Shakyamuni Triad (Shaka sanzon zō)

Other Titles

Transliterated Title: Shaka sanzon zō: Shakyamuni (Shaka Nyorai), Mañjusrî (Monju Bosatsu), Samantabhadra (Fugen Bosatsu)

Classification

Paintings

Work Type

painting, hanging scroll

Date

15th century

Places

Creation Place: East Asia, Japan

Period

Muromachi period, 1392-1568

Culture

Japanese

Persistent Link

https://hvrd.art/o/211684

Physical Descriptions

Medium

Hanging scroll; ink, color and gold pigment on silk

Dimensions

painting proper: H. 106.8 x W. 57.8 cm (42 1/16 x 22 3/4 in.)
mounting, inlcuding suspension core and roller ends: H. 172.7 x W. 78.3 cm (68 x 30 13/16 in.)

Provenance

Recorded Ownership History

Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013.

Footnotes:
1. Louis V. Ledoux (1880-1948)
2. L. Pierre Ledoux (1912-2001)
3. On long term loan to Harvard Art Museums from 1981 to 2013.

Acquisition and Rights

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband

Accession Year

2013

Object Number

2013.48

Division

Asian and Mediterranean Art

Contact

am_asianmediterranean@harvard.edu

Permissions

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Descriptions

Description

This severely darkened painting shows a bearded Buddha Shakyamuni (Jp. Shaka Nyorai) wearing a red robe adorned with golden diamond-shaped lozenges and seated on a lotus throne surrounded by magical clouds. Flanking him are the attendant Bodhisattvas Manjushri (Jp. Monju Bosatsu) and Samantabhadra (Jp. Fugen Bosatsu), who are shown as charming, childlike figures astride their respective animal vehicles. On the viewer’s right sits Manjushri the Bodhisattva of Wisdom, cross-legged on a lotiform saddle, with one leg extended down to a smaller lotus bud. He wears an unusual crown culminating in a wish-granting jewel and holds an attenuated scepter in both hands as he perches languorously atop his furry, crouching lion, which regards the viewer mischievously. Samantabhadra, the Bodhisattva of Benevolence, sits in a similar position of royal ease, reading a sutra atop his jolly white elephant. The delicate features and soft colors of the bodhisattvas lend a slightly humorous and endearing quality to what could otherwise have been a rather stiff iconographic rendering.

Exhibition History

• Buddhist Art: The Later Tradition (1993), Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 08/14/1993 - 01/23/1994

Verification Level