2013.47: Welcoming Descent of Amitâbha Buddha (Amida Nyorai) flanked by the Bodhisattvas Avalokiteshvara (Kannon Bosatsu) and Mahâsthâmaprâpta (Seishi Bosatsu); Amida sanzon raigō zu

Identification and Creation

Object Number

2013.47

People

Unknown Artist
Traditionally attributed to Tosa Ryō-en, Japanese (13th c. - )

Title

Welcoming Descent of Amitâbha Buddha (Amida Nyorai) flanked by the Bodhisattvas Avalokiteshvara (Kannon Bosatsu) and Mahâsthâmaprâpta (Seishi Bosatsu); Amida sanzon raigō zu

Other Titles

Transliterated Title: Amida sanzon raigō zu: Amida Nyorai (Amitâbha), Kannon Bosatsu (Avalokitesvara), Seishi Bosatsu (Mahâsthâmaprâpta)

Classification

Paintings

Work Type

hanging scroll, painting

Date

14th century

Places

Creation Place: East Asia, Japan

Period

Nambokuchō period, 1333-1392

Culture

Japanese

Persistent Link

https://hvrd.art/o/211673

Physical Descriptions

Medium

Hanging scroll; gold ink, cut-gold leaf (kirikane), and color on indigo dyed silk

Dimensions

painting proper: H. 98.7 x W. 38.7 cm (38 7/8 x 15 1/4 in.)
mounting, inlcuding suspension core and roller ends: H. 194.9 x W. 61.5 cm (76 3/4 x 24 3/16 in.)

Provenance

Recorded Ownership History

Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013.

Footnotes:
1. Louis V. Ledoux (1880-1948)
2. L. Pierre Ledoux (1912-2001)
3. On long term loan to Harvard Art Museums from 1981 to 2013.

Acquisition and Rights

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband

Accession Year

2013

Object Number

2013.47

Division

Asian and Mediterranean Art

Contact

am_asianmediterranean@harvard.edu

Permissions

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Descriptions

Description

This hanging scroll depicts a standing Buddha Amitabha (Jp. Amida Nyorai) at center with magnificent golden rays of light emanating from his halo, accompanied by two attendant bodhisattvas: Avalokitesvara (Jp. Kannon Bosatsu) at the viewer’s right and Mahasthamaprapta (Jp. Seishi Bosatsu) at the left. Each figure stands facing the right in three-quarter view; each is perched atop a pair of lotuses held aloft by clouds that carry the deities in a slight downward direction, from upper left to lower right. Painted predominantly in gold pigment on dyed silk, with just a few touches of ink and color to highlight facial accents on the Buddha and the bodhisattvas' jewels and scarves, the scene illustrates a raigō, or “welcoming descent” scene in which Amitabha descends from his celestial realm in order to receive the soul of a devotee and transport it to the Western Pure Land—a distant paradise believed to provide the ideal conditions for attaining enlightenment. The resplendent but empty lotus seat carried by Avalokitesvara in the lower right of this painting is the vehicle intended to carry the soul of the believer to the Western Pure Land.

Exhibition History

• 32Q: 2740 Buddhist II, Harvard Art Museums, Cambridge, 06/02/2016 - 11/15/2016; Harvard Art Museums, Cambridge, 07/23/2022 - 12/12/2022

Verification Level