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Identification and Creation

Object Number
2013.72
Title
Buddhist Priest's Robe (Kesa) with Abstract and Stylized Gourd Decor
Classification
Textile Arts
Work Type
costume
Date
Early Edo period, circa 1680
Places
Creation Place: East Asia, Japan
Period
Edo period, 1615-1868
Culture
Japanese
Persistent Link
https://hvrd.art/o/211664

Physical Descriptions

Medium
Resist-dyed orange silk utilizing the tie-dye (kanoko shibori) technique; selected motifs embroidered in polychrome silk and gold
Dimensions
H. 102.9 x W. 205.7 cm (40 1/2 x 81 in.)

Provenance

Recorded Ownership History
[T. Kita, Kyoto, by 1926], sold; to Louis V. Ledoux Collection, New York (1926-1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013.

Footnotes:
1. Louis V. Ledoux (1880-1948)
2. L. Pierre Ledoux (1912-2001)
3. On long term loan to Harvard Art Museums from 1985 to 2013.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband
Accession Year
2013
Object Number
2013.72
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
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Descriptions

Description
A Buddhist priest's robe known in Japan as a kesa (Sanskrit, kasaya), this rectangular garment is made up of mulitple pieces of the same cloth that together form a patchwork of columns and rectangles framed within a border. The fabric is a luxurious resist-dyed orange silk with abstract patterns made utilizing the "kanoko shibori" tie-dye technique whereby multiple tiny areas of fabric were tied off before the dying process in order to preserve small circular areas of white reserved, the tiny white spots combining to form larger shapes and lines when viewed from afar. The fabric here was further embellished with images of stylized double-gourds decorated with leaves and vines. The gourds, vines, and leaves were embroidered in white, light pink, and light green silk threads and gold. Darker rectangular areas throughout the kesa indicate that rectangular pieces of another fabric (now lost) were once stitched onto selected areas of the patchwork kesa, protecting the main orange fabric beneath from fading through light exposure.

Publication History

  • Julia Meech, "Louis V. Ledoux: Collector of Japanese Textiles", Impressions, Japanese Art Society of America (Lexington, 2022), No. 43: part one of double issue, pp. 99-128, pp. 116-117, fig. D

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu