Photo © President and Fellows of Harvard College
Identification and Creation
Object Number
Ogawa Haritsu, Japanese (Ise 1663 - 1747)
Courtesan Eguchi as the Bodhisattva Fugen with a White Elephant
Work Type
painting, hanging scroll
18th century
Creation Place: East Asia, Japan
Edo period, 1615-1868
Persistent Link
Physical Descriptions
Hanging scroll; ink, color and gold on silk; with artist's signature and seal
painting proper: H. 92.1 x W. 35.7 cm (36 1/4 x 14 1/16 in.)
mounting, inlcuding suspension core and roller ends: H. 181.6 x W. 54.8 cm (71 1/2 x 21 9/16 in.)
Inscriptions and Marks
  • inscription: lower right edge of painting:: Muchū-an Ritsuō kore o egaku
  • seal: lower right edge of painting, following signature: square red intaglio artist's seal
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013.

1. Louis V. Ledoux (1880-1948)
2. L. Pierre Ledoux (1912-2001)
3. On long term loan to Harvard Art Museums from 1981 to 2013.
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband
Accession Year
Object Number
Asian and Mediterranean Art
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A beautiful woman clothed in a sumptuously decorated blue, white, and gold kimono stands grasping a thin staff in both hands while swirling bands of white clouds trail behind her, gather beneath her feet, and take on the form of a white elephant; beneath these ethereal figures appears an expanse of pale blue waves. The subject of this exquisite painting derives from a fifteenth-century Noh play about a courtesan believed to be a manifestation of Fugen Bosatsu (Sanskrit, Bodhisattva Samantabhadra), a Buddhist deity described in the Lotus Sutra as accompanying the Historical Buddha Shakyamuni and typically depicted in Buddhist art as holding a staff and riding a white elephant. The imagery here is perfectly complemented by a dark blue and white silk mounting painted to echo the swirling clouds and flowing waves in the painted scene. The signature and seal of artist Ogawa Haritsu (1663-1747) appears in the lower right corner of the composition.
Exhibition History

Masterworks of Ukiyo-e, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 07/20/1996 - 01/12/1997

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at