Harvard Art Museums > 2013.78: Robe Textile Arts Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Robe , 2013.78,” Harvard Art Museums collections online, Dec 25, 2024, https://hvrd.art/o/211569. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2013.78 Title Robe Classification Textile Arts Work Type textile Date 19th century Places Creation Place: Middle East, Iran Culture Central Asian Persistent Link https://hvrd.art/o/211569 Physical Descriptions Medium Warp-faced satin foundaton with continuous and discontinuous patterning wefts Dimensions max. H. 120 x W. 152 cm (47 1/4 x 59 13/16 in.) Provenance Recorded Ownership History Quill Jones (by 1919), sold; to Louis V. Ledoux Collection, New York (1919-1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1985 to 2013. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband Accession Year 2013 Object Number 2013.78 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The distinctive cut of this robe—collarless with a wide neck, the skirt gathered under the arms and flaring over the hips, and a very full, tapering sleeve-- recalls the standard shape of the munisak, an outer garment worn on special occasions by wealthy Central Asian women in the nineteenth century and probably earlier. A munisak could be a relatively voluminous garment, for it was intended to be worn open, on top of several layers of silk dresses. The present attribution of the garment to nineteenth-century Central Asia is based on this similarity, plus the presence on the interior of strips of Central Asian ikat, used as an edging fabric. This robe differs from most examples of munisaks preserved in public collections, however. These latter are usually made of ikat fabrics, while this blue robe is constructed of a draw-loom woven, warp-faced silk satin of as yet indeterminate origin. The patterning wefts of this blue fabric are both continuous (the “gold”-wrapped threads) and discontinuous (salmon pink and blue-green). The repeat unit of the pattern features four different blossoms on an undulating leafy vine, and measures 20.6 x 11.8 cm. The elaborate treatment of the cuffs is not typical for Central Asian munisaks. On this robe, a long, but narrow cuff is constructed of several bands of the blue satin fabric. The wider sleeve is gathered in open “pleats” and tacked to the cuff. Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu