Harvard Art Museums > 1923.152: The Imperial Steeds Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Imperial Steeds (Traditionally attributed to Ren Renfa 任仁發) , 1923.152,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/206575. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1923.152 People Traditionally attributed to Ren Renfa 任仁發, Chinese (1254 - 1327) Title The Imperial Steeds Classification Paintings Work Type painting, handscroll Date ca. 16th-17th century Places Creation Place: East Asia, China Period Ming dynasty, 1368-1644 Culture Chinese Persistent Link https://hvrd.art/o/206575 Physical Descriptions Medium Handscroll; ink and color on silk with spurious signature reading "Yueshan daoren" Dimensions H. 28.4 x W. 175.6 cm (11 3/16 x 69 1/8 in.) Inscriptions and Marks inscription: Signed with a 17-character inscription that translates: "In the spring of the Chia-yin year of the Yen-yu era, Yüeh-shan tao-jen painted the heavenly steeds at the K'o-shih-t'ang".Two seals of the artist, 10 collectors' seals:(beginning of scroll; upper right:) Shih-ch'u pao-chi (Ch'ing Imperial Collection);(second from top:) Yang-hsin-tien chien-ch'ang-pao(two bottom seals) Ling-chih; Shih-ku-t'ang shu-hua (seals of Pien Yung-yu, 1645-1702)(two seals along the scroll) Chia-ch'ing; Ch'ien-lung(end of scroll; two seals at right of inscription:) Hsien-k'e; Shih-ku-t'ang shu-hua(two seals following the inscription:) Jen-shih tzu-ming; Yüeh-shan tao-jen [spurious seals of Jen Jen-fa](final seals beyond silk mounting:) two seals of Prince Kung. State, Edition, Standard Reference Number Standard Reference Number A 10-025 (Suzuki Kei) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Edward B. Bruce Collection of Chinese Paintings, Gift of Galen L. Stone Accession Year 1923 Object Number 1923.152 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Suzuki Kei, Chugoku kaiga sogo zuroku, Amerika Kanada hen (Comprehensive Illustrated Catalog of Chinese Paintings, Volume 1: American and Canadian Collections), University of Tokyo Press (Tokyo, Japan, 1982), p. 56, no. A 10-025 Hou-mei Sung, Decoded Messages: the Symbolic Language of Chinese Animal Painting, exh. cat., Yale University Press (U.S.) and Cincinnati Art Museum (New Haven, CT; Cincinnati, Ohio, 2009), pp. 201-202, cat. no. 68 Exhibition History Art in East and West, Addison Gallery of American Art, Andover, 02/04/1955 - 02/28/1955 Decoded Messages: The Symbolic Language of Chinese Animal Painting, Cincinnati Art Museum, Cincinnati, 10/09/2009 - 01/03/2010 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu