1943.50.308: Jade Crouching Bear in the Round
Ritual ImplementsA 3D jade sculpture of a crouching bear on a light grey background. The bear is facing the left and its body is bent down low with its legs underneath. Its body is angled so that its head is lower than its rear end. Its body is long and round in shape and its head is long with two little ears. There are curved, engraved lines on its body and face. It is off-white in color.
Gallery Text
The Shang refined Neolithic jade-making practices, fashioning ritual blades and implements of even greater sophistication than those of their predecessors, incorporating jade blades into turquoise-inlaid bronze hafts, and expanding their jade repertoire into representational shapes of humans and animals.
Identification and Creation
- Object Number
- 1943.50.308
- Title
- Jade Crouching Bear in the Round
- Classification
- Ritual Implements
- Work Type
- figurine
- Date
- 12th-10th century BCE
- Places
- Creation Place: East Asia, China
- Period
- Shang dynasty (c. 1600-c. 1050 BCE) to Western Zhou period (c. 1050-771 BCE)
- Culture
- Chinese
- Persistent Link
- https://hvrd.art/o/204747
Location
- Location
-
Level 1, Room 1740, Early Chinese Art, Arts of Ancient China from the Neolithic to the Bronze Age
Physical Descriptions
- Medium
- Light grayish green nephrite
- Dimensions
-
H. 1.9 x L. 4.5 x D. 2.5 cm (3/4 x 1 3/4 x 1 in.)
Weight 34 g
Provenance
- Recorded Ownership History
- Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.
Published Text
- Catalogue
- Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University
- Authors
- Max Loehr and Louisa G. Fitzgerald Huber
- Publisher
- Fogg Art Museum (Cambridge, MA, 1975)
Catalogue entry no. 157 by Max Loehr:
157 Crouching Bear in the Round
Carved from a truncate cone of light grayish green jade. The underside is flattened, and the limbs are set off from the body by a longitudinal channel and by shallow transverse grooves. The bear’s body, tapering toward the head, is ornamented with widely spaced Shang-style volutes and hooks; they are unrelated to the bear’s anatomy. The head is almost triangular, with the eyes carefully defined by double lines. The nose is subtly shaped by two short grooves; the mouth is formed by an unobtrusively incised line. Only the ears stand free. A perforation in the bottom channel consists of two connected, slanting holes. Late Shang.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.50.308
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Publication History
- Max Loehr and Louisa G. Fitzgerald Huber, Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University (Cambridge, MA, Fogg Art Museum, 1975)., cat. no. 157, p. 128
- Jenny So, Early Chinese Jades in the Harvard Art Museums (Cambridge, MA, 2019), pp. 166, 168, fig. 1
Exhibition History
- S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
- Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
- 32Q: 1740 Early China I, Harvard Art Museums, 11/16/2014 - 01/01/2050
Subjects and Contexts
- Google Art Project
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu