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Gallery Text

Like their Shang predecessors, the Zhou produced sets of bronze ritual vessels for use in state rites and burial in tombs. In style, form, and function, the earliest bronze vessels from the Western Zhou period were virtually indistinguishable from those made by the Shang, for the Zhou sought to legitimize their ascension over their defeated rivals by closely replicating the tangible symbols of Shang power. Before long, however, traditional Shang decorative motifs such as the taotie animal mask began to evolve, and new forms emerged, such as the confronting dragons on the inscribed gui food vessel (far right) or the elephants on the covered you wine vessel (near left) displayed here. Inscriptions on these objects expanded, from single clan marks to longer memorializing inscriptions, signaling a shift in the function of bronze vessels from purely sacred objects belonging to powerful Shang clan members, to status symbols commemorating the accomplishments of Zhou kings and nobles.

Identification and Creation

Object Number
1943.52.147
Title
Large Circular Mirror with Four 'Shan' Ideographs and Stylized Floral Decor
Classification
Mirrors
Work Type
mirror
Date
475 - 221 BCE
Places
Creation Place: East Asia, China
Period
Zhou dynasty, Warring States period, 475-221 BCE
Culture
Chinese
Persistent Link
https://hvrd.art/o/204463

Location

Location
Level 1, Room 1600, Early Chinese Art, Arts of Ancient China from the Bronze Age to the Golden Age
View this object's location on our interactive map

Physical Descriptions

Medium
Cast bronze with blackish patina
Dimensions
Diam. 30.3 x Max. Thickness 1 cm (11 15/16 x 3/8 in.)

Provenance

Recorded Ownership History
Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.52.147
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 057, pp. 60-61
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 10, p. 19

Exhibition History

  • S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
  • Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
  • 32Q: 1600 Early China II, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu