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A gilt bronze sculpture of a man in a robe.

The gilt bronze sculpture is of a man standing and facing the viewer. He is wearing a floor-length robe. He is bald. His left hand is in front of his chest with the palm facing down His right hand is underneath with the palm facing up. There is light wear at the bottom of his robe.

Gallery Text

Merchants trading in Silk Road goods, South and Central Asian Buddhist proselytizers, and pilgrims who had traveled to India to study Buddhism at its source brought countless paintings, scriptures, and small bronze sculptures to China and Tibet. These later served as the inspirations for works commissioned by local patrons. Few early Chinese and Tibetan bronze sculptures, and even fewer Indian prototypes, survive, as later generations melted them down to make coins, weapons, or new icons. The fine statues on display here may have been objects of devotion that were set in portable shrines, like the Korean example in the case to the right, for worship in lay people’s homes.

Identification and Creation

Object Number
1943.53.76
Title
Standing Buddhist Monk
Classification
Sculpture
Work Type
figurine, sculpture
Date
early 6th century
Places
Creation Place: East Asia, China
Period
Northern Wei, 386-534
Culture
Chinese
Persistent Link
https://hvrd.art/o/204005

Physical Descriptions

Medium
Gilt bronze
Dimensions
H. 16.0 x W. 6.0 x D. 3.0 cm (6 5/16 x 2 3/8 x 1 3/16 in.)

Provenance

Recorded Ownership History
Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.53.76
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Publication History

  • Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 065, pp. 76-77
  • W. Chie Ishibashi, "East Asian Buddhist Bronzes: A Comparative Analytical Study and a Preliminary Report" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, August 1977), Unpublished, passim
  • Leopold Swergold, Thoughts on Chinese Buddhist Gilt Bronzes (n.p., 2014), p. 24, ill. p. 25

Exhibition History

  • S425a: Chinese Gilt Bronze Sculpture, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
  • Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
  • 32Q: 1610 Buddhist Art I, Harvard Art Museums, Cambridge, 11/16/2014 - 06/18/2024

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu