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Gallery Text

The move of the Zhou capital eastward in the wake of nomadic invasions marked a diminution of Zhou authority and the rise in power of surrounding states. Although in the earlier Western Zhou period, bronze was employed primarily for ritual vessels, weapons, and tools, during the Eastern Zhou era, it began to be used to make mirrors, bells, and chariot fittings as well. Bronze mirrors were polished smooth on their reflective sides, and their backs were intricately decorated with auspicious symbols or cosmological designs. Their reflectivity was believed to create light in a darkened tomb and to ward off evil. Chariots were vital for military warfare, and those of the powerful were fitted with ornate finials and attachments, which during the Warring States period (475–221 BCE) were often inlaid with precious stones and metals. This technique was also employed with greater frequency in the casting of bronze vessels, revealing yet another shift in the function of such objects, from commemorative status symbols to more decorative vestiges of a ritual tradition.

Identification and Creation

Object Number
1943.52.164
Title
Circular Mirror with Decoration of the Animals of the Four Quadrants, the Eight Trigrams, and Flying Apsarases
Classification
Mirrors
Work Type
mirror
Date
581 - 618
Places
Creation Place: East Asia, China
Period
Sui dynasty, 581-618
Culture
Chinese
Persistent Link
https://hvrd.art/o/203979

Location

Location
Level 1, Room 1600, Early Chinese Art, Arts of Ancient China from the Bronze Age to the Golden Age
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Physical Descriptions

Medium
Cast bronze with silvery, bluish green patina; with an inscription on the reverse
Dimensions
Diam. 24.8 x Thickness 1.9 cm (9 3/4 x 3/4 in.)

Provenance

Recorded Ownership History
[Edgar Worch vorm. Ludwig Glenk Antiquitäten, Berlin, January 6, 1931] sold; to Grenville L. Winthrop, New York (1931-1943), bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.52.164
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 060, pp. 66-67
  • Takayasu Higuchi, ed., Chugoku bijutsu, dai 4-kan (Chinese Art in Western Collections vol. 4: Bronze and Jade), Kodansha (Tokyo, Japan, 1973), pl. 85
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 11, p. 19

Exhibition History

  • S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
  • Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
  • 32Q: 1600 Early China II, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu