M24093: Metaphor
Prints
This object does not yet have a description.
Identification and Creation
- Object Number
- M24093
- People
-
Robert Blackburn, American (Summit, NJ 1920 - 2003)
- Title
- Metaphor
- Classification
- Prints
- Work Type
- Date
- 1963
- Culture
- American
- Persistent Link
- https://hvrd.art/o/194334
Physical Descriptions
- Medium
- Lithograph and screen print in colors printed on white wove paper
- Technique
- Lithograph and screen print
- Dimensions
-
design: 60.3 x 47.2 cm (23 3/4 x 18 9/16 in.)
sheet: 75.9 x 56.3 cm (29 7/8 x 22 3/16 in.) - Inscriptions and Marks
-
- Signed: signed and dated
- inscription: lower margin below design, graphite, handwritten, in artist's hand: "Metaphor" Ed. 4
- inscription: l.r: Blackburn '63
Provenance
- Recorded Ownership History
- [G. W. Einstein Company, Inc., New York, New York], sold; to Harvard University Art Museums, February 9, 1999.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Margaret Fisher Fund
- Copyright
- © The Estate of Robert Blackburn. Used with Permission.
- Accession Year
- 1999
- Object Number
- M24093
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Commentary
- Blackburn owned and ran the longest-running print workshop in this country, founding it as a direct successor to Atleier 17 after the departure of Hayter, yet focusing on lithographic rather than intaglio printing. He was the first printing for Tanaya Grossman and ULAE when that revolutionary show was founded in 1957. Study in Paris confirmed his personal style in the School of Paris abstract idiom, and exposure to the various stylistic developments of the New York School generations. This is a typical example of his work, in its calm, scale, and strength and it will be a marker for his career as a printer as well as a handsome image in its own right. He was trained in Harlem in the last years of the Harlem Renaissance.
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu