BR49.306.A-G: Carved Altarpiece with Madonna and Child in Glory, St. Erasmus, St. Catherine; the Twelve Apostles; St. Anthony, St. Anne with Madonna and Child, St. Vitus, St. Margaret, St. Sebastian
Sculpture
This object does not yet have a description.
Identification and Creation
- Object Number
- BR49.306.A-G
- People
-
Unidentified Artist
- Title
- Carved Altarpiece with Madonna and Child in Glory, St. Erasmus, St. Catherine; the Twelve Apostles; St. Anthony, St. Anne with Madonna and Child, St. Vitus, St. Margaret, St. Sebastian
- Other Titles
- Alternate Title: Triptych of the Madonna in Glory
- Classification
- Sculpture
- Work Type
- sculpture
- Date
- 1524
- Places
- Creation Place: Europe, Germany, Lower Saxony
- Culture
- German
- Persistent Link
- https://hvrd.art/o/184369
Physical Descriptions
- Medium
- Polychromed wood (possibly lindenwood), oak
- Dimensions
- 236 x 288.7 x 37.8 cm (92 15/16 x 113 11/16 x 14 7/8 in.)
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Anonymous gift
- Accession Year
- 1949
- Object Number
- BR49.306.A-G
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Charles L. Kuhn, German and Netherlandish Sculpture, 1280-1800, the Harvard Collections, Harvard University Press (Cambridge, MA, 1965), p. 15, cat. no. 30 pp. 75-76, repr. as pl. XXX
- Anneliese Harding, German Sculpture in New England Museums, Goethe Institute (Boston, MA, 1972), repr. p. 51 as fig. 77
- Anita F. Moskowitz, Gothic Sculpture in America, I: The New England Museums, ed. Dorothy W. Gillerman, Garland Publishing, Inc. (New York, 1989), no. 152 pp. 190-191, repr.
- Julien Chapuis, Tilman Riemenschneider: Master Sculptor of the Late Middle Ages, exh. cat., National Gallery of Art (Washington, DC, 1999), p. 154 [in: Timeline of Selected North American Acquisitions of German Late Gothic Sculpture]
- Michele D. Marincola and Lucretia Kargère, The Conservation of Medieval Polychrome Sculpture: History, Theory, Practice, Getty Conservation Institute (Los Angeles, 2020), p. 239 note 5
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu