Harvard Art Museums > 2006.170.275.A-C: Covered reliquary jar and stand Ritual Implements Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Covered reliquary jar and stand , 2006.170.275.A-C,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/176655. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2006.170.275.A-C Title Covered reliquary jar and stand Other Titles Original Language Title: 唐 彩繪陶塔形蓋罐 Classification Ritual Implements Work Type reliquary Date 7th-8th century Places Creation Place: East Asia, China, Henan province, Gongxian Period Tang dynasty, 618-907 Culture Chinese Persistent Link https://hvrd.art/o/176655 Physical Descriptions Medium Earthenware with traces of cold painted pigments Dimensions H. 59.3 x Diam. 24.9 x W. 25.8 cm (23 3/8 x 9 13/16 x 10 3/16 in.) Provenance Recorded Ownership History [Christian Boehm Oriental Art, London, 2000] sold; to Walter C. Sedgwick Foundation, Woodside, CA (2000-2006), partial gift; to Harvard University Art Museums, 2006. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Partial gift of the Walter C. Sedgwick Foundation and partial purchase through the Alpheus Hyatt Purchasing Fund Accession Year 2006 Object Number 2006.170.275.A-C Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Buddhist reliquary consisting of three parts: pedestal stand, jar, and lid. The lower portion of the stand is bell-shaped, with sides flaring outward toward the flat base and constricting inward at top; a bowl-like receptacle with edges in the form of lotus petals crowns the top of the hollow stand; molded floral appliques and traces of floral designs painted in black pigment encircle the pedestal base; heads of makara creatures bearing pearls in their mouths encircle the join between pedestal and receptacle. The ovoid jar has broad, rounded shoulders, sides tapering inward to a flat base, short neck, and flat, everted rim; two incised horizontal lines encircle the jar along the shoulders and form a band that encloses four molded lion-head appliques. The circular lid is steeply domed and bears a stupa-form finial. All three are white earthenware with traces of orange pigment; one of the lion heads has an accidental spot of bright green glaze. Commentary Compare to: (1) White glazed reliquary jar of closely related form with identical molded lion-head appliques and very similar domed lid with stupa-form finial excavated in 1993 from a Tang dynasty tomb in Gongyi, Henan province, now in the Henan Museum. See Zhongguo chutu ciqi quanji [Complete Collection of Chinese Ceramics Unearthed in China], vol. 12: Henan (Beijing: Kexue chubanshe, 2008), no. 91. (2) Two cold-painted earthenware reliquary jars and stands of closely related form, the stands with virtually identical makara heads excavated in 1992 from Tang dynasty tomb M5 at the Beiyaowan cemetery near Gongyi, Henan province. See Kaogu xuebao [Acta Archaeologica Sinica] 3 (1996): pl. 19.4 and p. 383, fig. 25.5-6. (3) Domed lid with very similar stupa-form finial and reliquary stand with virtually identical petalled receptacle excavated in 1992 from Tang dynasty tomb M3 at the Beiyaowan cemetery near Gongyi, Henan province. See Kaogu xuebao [Acta Archaeologica Sinica] 3 (1996): pl. 12.1 and p. 377, fig. 14.2-3. (4) Sancai reliquary jar on a lotus pedestal with similarly shaped jar and stupa-form lid excavated in 1959 from a Tang dynasty tomb at Zhongbao village, Xi’an, Shaanxi province, now in the Shaanxi History Museum. See Zhongguo taoci quanji [The Complete Works of Chinese Ceramics], vol. 6: Tang, Wudai [Tang and Five Dynasties period] (Shanghai: Shanghai renmin meishu chubanshe, 2000), no. 128, pp. 132 and 245. Subjects and Contexts Sedgwick Collection Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu