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Identification and Creation

Object Number
2011.638.4
People
Mark Rothko, American (Dvinsk, Russia 1903 - 1970 New York, NY)
Title
Panel Four
Other Titles
Former Title: Panel #4
Classification
Paintings
Work Type
painting
Date
1962
Culture
American
Persistent Link
https://hvrd.art/o/173200

Physical Descriptions

Medium
Egg tempera and distemper on canvas
Dimensions
266.7 x 457.2 cm (105 x 180 in.)

Provenance

Recorded Ownership History
Gift of the artist 1962-1965 (Commissioned by Harvard University Society of Fellows, 1961-1962); to Harvard University, transfer; to Harvard Art Museums, 2011.

State, Edition, Standard Reference Number

Standard Reference Number
Anfam 740

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist
Copyright
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Accession Year
2011
Object Number
2011.638.4
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Mark Rothko, exh. cat., Fundació Joan Miró (Barcelona, Spain, 2000), repr. pp. 132-33 (color)
  • Mark Rothko: "A Consummated Experience between Picture and Onlooker", exh. cat., Hatje Cantz Publishers [Fondation Beyeler] (Ostfildern-Ruit, Germany [Basel, Switzerland], 2001), no.62, repr. (color)
  • Jens Stenger, Narayan Khandekar, Ramesh Raskar, Santiago Cuellar, Ankit Mohan, and Rudolph Gschwind, "Conservation of a room: A treatment proposal for Mark Rothko's Harvard Murals", Studies in Conservation, Taylor and Francis Group (10.1179/2047058415Y.0000000010, published online March 15, 2016), vol. 61, no. 6, pp. 348-361
  • Jens Stenger, Narayan Khandekar, Annie Wilker, Katya Kallsen, Daniel Kirby, and Katherine Eremin, "The making of Mark Rothko's Harvard Murals", Studies in Conservation, Taylor and Francis Group (10.1179/2047058415Y.0000000009, published online March 15, 2016), vol. 61, no. 6, pp. 331-347
  • Jens Stenger, Narayan Khandekar, Ramesh Raskar, Santiago Cuellar, Ankit Mohan, Rudolph Gschwind, Mary Schneider Enriquez, Carol Mancusi-Ungaro, and Christina Rosenberger, Non-Invasive Color Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector, Colour Change in Paintings, ed. Rhiannon Clarricoates, Helen Dowding, and Alexandra Gent, Archetype Publications (London, 2016), Pages 73-76, Figure 1, Page 74
  • Ellen Davis, Version Control: Mark Rothko’s Harvard Murals through the Lens of the Documentation Model for Time-Based Media Art, Journal of the American Institute for Conservation, American Institute for Conservation (10.1080/01971360.2021.1913542, 2021), 60 (2-3), Pages 92-104, Figure 3, Page 98; Figure 4, Page 100; Figure 5, Page 100; Figure 6, Page 101

Exhibition History

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu