Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1969.177.15.D
Title
Small Kneeling Figure
Classification
Sculpture
Work Type
sculpture, statuette
Date
mid 7th-late 1st century BCE
Places
Creation Place: Ancient & Byzantine World, Africa, Egypt (Ancient)
Period
Late Period to Ptolemaic
Culture
Egyptian
Persistent Link
https://hvrd.art/o/169893

Location

Location
Level 3, Room 3610, University Teaching Gallery
View this object's location on our interactive map

Physical Descriptions

Medium
Leaded bronze
Technique
Cast, lost-wax process
Dimensions
h. 2.8 cm (1 1/8 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Leaded Bronze:
Cu, 91.63; Sn, 2.16; Pb, 4.25; Zn, 0.118; Fe, 0.13; Ni, 0.13; Ag, 0.12; Sb, 0.23; As, 1.21; Bi, 0.025; Co, 0.013; Au, less than 0.01; Cd, less than 0.001
J. Riederer

Technical Observations: The patina is green, brown, and red. The object was mechanically cleaned with some burial accretions and corrosion products remaining. The toe area on the feet has been reshaped and ground down to base metal on all sides to create a tenon for mounting. The object appears to have been lost-wax cast and features with post-casting tool marks.


Tony Sigel (submitted 2002)

Provenance

Recorded Ownership History
Harry J. Denberg, New York, NY (by 1969), gift; to the Fogg Art Museum, 1969.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Harry J. Denberg
Accession Year
1969
Object Number
1969.177.15.D
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This small kneeling male figure was associated with a statuette and base of a winged Isis, 1969.177.15.A-C, when acquired. The kneeling figure holds his arms in front of his torso and bent at the elbows; the left hand slightly higher than the right, and both palms are turned down. He may wear a headpiece, giving his head a bulbous profile in the back, or have a shaven head. Small eyes, nose, and mouth are visible—the ears are disproportionately large, with horizontal lines at the center. The lower legs are clearly shown drawn up under the upper legs. The bottoms of the feet are visible at the back, rendered with a space between them; below the feet and connecting them is a small tang for insertion into a base or mount.

The winged figure may represent Isis as a protective figure; her pose indicates that she would have been part of a group composition, with her arms held out to protect another figure in front of her. Her face is rather crudely modeled with a horizontal slit for the mouth and a flat nose. She wears the sun disc atop double circlets (the “modius crown”) with a vestigial uraeus on the upper circlet. Wings with ambiguous arm-like appendages along the top extend straight out in front, almost perpendicular to the body. Roughly incised feathers mark the outside surfaces; the inner surfaces remain unadorned and probably would have sheltered another figure, such as Osiris or the Apis bull (1). In later periods, Isis was considered the mother of the Apis bull, which after its death became associated with Osiris. Excavated examples of winged goddesses have been found at the Serapeum of Saqqara, the cult center for the Memphite Osiris-Apis (2). The proper left wing is broken at the join with the body. A pair of feet on a square base with peg below had been attached in modern times, but it may not belong to the figure. The metal is yellow, which may indicate that this piece is a modern creation.

Whether or not the kneeling figure and the winged figure belonged together in antiquity, this type of group, with a small adorant kneeling before a much larger deity, and each separately inserted into a single base, is known from several examples (3).

NOTES:

1. Compare a winged Isis in the Musée de Guéret, France, published in M.-D. Quémereuc, Collections Égyptiennes, Musée de Guéret (Guéret, 1992) 34, no. 3; and in G. Roeder, Ägyptische Bronzefiguren, Staatliche Museen zu Berlin Mitteilungen aus der Ägyptischen Sammlung 6 (Berlin, 1956) pl. 67; and an example in the Louvre, Paris, with a winged Isis embracing a figure of Osiris, with a small worshipper kneeling in front of them, inv. no. E3722.

2. Roeder 1956 (supra 1) 241.

3. See, for example, B. Mendoza, Bronze Priests of Ancient Egypt from the Middle Kingdom to the Graeco-Roman Period, BAR Int. Ser. 1866 (Oxford, 2008) 148-59, nos. 38 and 40, pls. 57-58. Mendoza includes in the catalogue many adorant figures that have become separated from their group contexts; see ibid., 139-140, 148, and 179, nos. 14-15, 37, and 153, pls. 13, 34, 48, and 73. See also Lexicon Iconographicum Mythologiae Classicae Apis no. 16, which includes a winged Isis, Apis, and small kneeling figure.


Marian Feldman and Lisa M. Anderson

Exhibition History

Subjects and Contexts

  • Ancient Bronzes

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu