- Identification and Creation
- Object Number
Ascribed to Mahesh, Indian
- It's the Day for the Garden (painting, recto; text, verso), folio 173 from a manuscript of the Divan (Collection of Works) of Anvari
- Work Type
- manuscript folio
- Creation Place: South Asia, Pakistan, Punjab, Lahore
- Mughal period
- Persistent Link
- Physical Descriptions
- Ink, opaque watercolor, and gold on paper
- folio: 13.97 x 7.62 cm (5 1/2 x 3 in.)
- Louis J. Cartier collection. John Goelet, New York, NY, (by 1960), gift; to Fogg Art Museum, 1960.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Goelet
- Accession Year
- Object Number
- Asian and Mediterranean Art
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- The recto side of the folio features a painting depicting two figures tending to a garden. At the center of the painting is a large square fountain from which three water channels issue. Two text blocks containing Persian text written in nasta’liq script and black ink are at the top and bottom of the painting.
The verso side of the folio features two columns of Persian text written in black ink and nasta’liq script.
The folio belongs to an illustrated copy of the Divan of Anvari commissioned by the Mughal emperor Akbar (r. 1556-1605) in 1588 and in Lahore. The poet Anvari (1126-1189) is considered one of the greatest figures in Persian literature. His panegyric in honor of the Seljuq sultan, Ahmad Sanjar (r. 1118-1157) earned him royal favor and the patronage of two of Sanjar’s successors. Anvari’s poems were collected in a Divan, which contains eulogies, satire, panegyrics, and other forms of poetry and prose.
- Publication History
Michele de Angelis and Thomas W. Lentz, Architecture in Islamic Painting: Permanent and Impermanent Worlds, brochure, Fogg Art Museum (Cambridge, Mass, 1982)
Michael Brand and Glenn D. Lowry, Akbar's India: Art from the Mughal City of Victory, exh. cat., Asia Society Galleries (New York, 1985), p. 65; p. 67, fig. 27; p. 142, no. 27
Annemarie Schimmel, Terres d'Islam: Aux Sources de l'Orient Musulman, Maisonneuve et Larose (Paris, France, 1994), Pg. 156
Richard C. Foltz, Frederick Denny, and Azizan Baharuddin, ed., c, Harvard University Press (Cambridge, Mass, 2003), cover
Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 86
- Exhibition History
Anvari's Divan: A Pocket Book for Akbar, Fogg Art Museum, Cambridge, 02/07/1984 - 03/28/1984
Akbar's India: Art from the Mughal City of Victory, Asia Society Galleries, New York, 10/10/1985 - 01/05/1986; Harvard University Art Museums, Cambridge, 01/24/1986 - 03/16/1986
Earthly Paradise: Gardens in Islamic Art, Harvard University Art Museums, Cambridge, 05/08/1993 - 08/22/1993
Courts and Countryside: Islamic Paintings from the 14th through the 17th Century, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/21/1999 - 08/22/1999
32Q: 2590 South and Southeast Asia, Harvard Art Museums, Cambridge, 11/16/2014 - 05/14/2015
- Subjects and Contexts
Google Art Project
- Related Works
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at firstname.lastname@example.org