1960.190: Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)

Identification and Creation

Object Number

1960.190

Title

Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)

Other Titles

Series/Book Title: Shahnama

Classification

Manuscripts

Work Type

manuscript folio

Date

c. 1335

Places

Creation Place: Middle East, Iran, Tabriz

Period

Ilkhanid period

Culture

Persian

Persistent Link

https://hvrd.art/o/169542

Physical Descriptions

Medium

Ink, colors, gold, and silver on paper

Dimensions

folio: 41.5 x 30 cm (16 5/16 x 11 13/16 in.)

Provenance

Recorded Ownership History

Abby Aldrich Rockefeller, New York, NY, (by 1948), bequest; to Fogg Art Museum, 1960.

Acquisition and Rights

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Abby Aldrich Rockefeller

Accession Year

1960

Object Number

1960.190

Division

Asian and Mediterranean Art

Contact

am_asianmediterranean@harvard.edu

Permissions

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Descriptions

Description

This folio is from a celebrated copy of the text known as the Great Ilkhanid Shahnama, one of the most complex masterpieces of Persian art. Because of its lavish production, it is assumed to have been commissioned by a high-ranking member of the Ilkhanid court and produced at the court scriptorium. The fifty-seven surviving illustrations reflect the intense interest in historical chronicles and the experimental approach to painting of the Ilkhanid period (1256–1335). The eclectic paintings reveal the cosmopolitanism of the Ilkhanid court in Tabriz, which teemed with merchants, missionaries, and diplomats from as far away as Europe and China. Here the Iranian king Bahram Gur wears a robe made of European fabric to slay a fearsome horned wolf in a setting marked by the conventions of Chinese landscape painting.

Publication History

• Maurice Sven Dimand, A Guide to an Exhibition of Islamic Miniature Painting and Book Illumination, exh. cat. (Portland, ME, 1933), fig. 10
• E. de Lorey, "L'Ecole de Tabriz: l'Islam aux prises avec la Chine", Revue des Arts Asiatiques (January 1, 1935), vol. IX, p.35, plate XIV
• Doris Brian, "A Reconstruction of the Miniature Cycle in the Demotte 'Shah-Nameh'", Ars Islamica, Freer Gallery of Art / Smithsonian Institution and University of Michigan (1 January 1939), vol. 6(2), pp. 97-112, no. 53, fig. 26
• Ivan Stchoukine, Les peintures du Shan-nameh Demotte, Arts Asiatiques (1958), vol. V, pp. 83-96
• Eric Schroeder, "Mrs. Rockefeller's Miniatures at the Fogg", The Connoisseur (August 1961), vol. 148, pp. 70-75, fig. 1
• A Survey of the Collections, Fogg Art Museum (Cambridge, MA, 1964)
• Ernst Grube, The World of Islam (New York, NY, 1966), p. 61, fig. 37
• J.B. Travis, "The Battle of Ardawan and Adrashir from the Demotte Shah-Nameh", The Art Quarterly (Spring 1968), vol. XXXI, no. 1, pp. 63-75, fig. 8
• David Talbot-Rice, Islamic Painting: A Survey (Edinburgh, Scotland, 1971), pp.94, pl. IV
• Marianna Shreve Simpson, Arab and Persian Painting in the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, 1980), pp. 11-12, 23, 28-29, no. 6, ill.
• Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), page 72, figure 75
• Sheila Blair and Jonathan Bloom, Art and Architecture of Islam: 1250 - 1800 (New Haven, CT, 1994), 31, fig. 36
• James Cuno, Alvin L. Clark, Jr., Ivan Gaskell, and William W. Robinson, Harvard's Art Museums: 100 Years of Collecting, ed. James Cuno, Harvard University Art Museums and Harry N. Abrams, Inc. (Cambridge, MA, 1996), page 128-129
• Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997
• Jonathan Bloom and Sheila Blair, Islam: A Thousand Years of Faith and Power, Yale University Press (New Haven, 2002)
• Linda Komaroff, ed., The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256-1353, exh. cat., Yale University Press (New Haven, CT, 2002), pp155, fig. 182; pp257, num 58
• David Roxburgh, "Micrographia: Toward a Visual Logic of Persianate Painting", Islamic Arts (Spring 2003), p.14, fig.2
• Penley Knipe, Katherine Eremin, Marc Walton, Agnese Babini, and Georgina Rayner, Materials and Techniques of Islamic Manuscripts, Heritage Science, Heritage Science (https://doi.org/10.1186/s40494-018-0217-y, 2018), 6, 55, Figure 22, Page 31; Figure 23, Page 32

Exhibition History

• Arab and Persian Painting, Fogg Art Museum, Cambridge, 02/10/1981 - 03/09/1981
• Portraiture in Iran and India, Fogg Art Museum, Cambridge, 12/09/1983 - 02/01/1984
• Diverse are their Hues: Animals in Islamic Art, Harvard University Art Museums, Fogg Art Museum, Cambridge, 12/18/1984 - 02/09/1985
• Paintings for Princes: The Art of the Book in Islam, Harvard University Art Museums, Cambridge, 01/27/1990 - 03/25/1990
• Transformations: Asia East and West, Harvard University Art Museums, Cambridge, 12/19/1992 - 02/14/1993
• Legacy of Genghis Khan: Courtly Art and Culture 1256-1353 (The), The Metropolitan Museum of Art, New York, 10/28/2002 - 02/16/2003; Los Angeles County Museum of Art, Los Angeles, 04/13/2003 - 07/27/2003
• 32Q: 2550 Islamic, Harvard Art Museums, Cambridge, 11/16/2014 - 05/14/2015
• An Epic of Kings: The Great Mongol Shahnama, Arthur M. Sackler Gallery, Washington, 08/31/2024 - 01/05/2025

Subjects and Contexts

• Google Art Project
• Collection Highlights

Verification Level