2001.335: Krishna Kidnaps Rukmini (painting, recto), folio from a Bhagavata Purana series
Manuscripts
This object does not yet have a description.
Identification and Creation
- Object Number
- 2001.335
- Title
- Krishna Kidnaps Rukmini (painting, recto), folio from a Bhagavata Purana series
- Classification
- Manuscripts
- Work Type
- manuscript folio
- Date
- c. 1820
- Places
- Creation Place: South Asia, India, Northern India, Pahari Region
- Culture
- Indian
- Persistent Link
- https://hvrd.art/o/168282
Physical Descriptions
- Medium
- Opaque watercolor and gold on paper
- Dimensions
- 21.59 x 28.73 cm (8 1/2 x 11 5/16 in.)
- Inscriptions and Marks
-
-
inscription: Language: Braj
Script: Devanagari
“Krishna”
“Rukmini”
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inscription: Language: Braj
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith
- Accession Year
- 2001
- Object Number
- 2001.335
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- The painting depicts the blue-skinned Hindu god Krishna helping Rukmini to get on his horse-drawn chariot as they elope. The accompanying captions identify the figures. The scene occurs at a white outdoor shrine dedicated to the god Shiva, lord of destruction. Within the sanctum is a lingam, Shiva’s aniconic form, covered in flowers. Rukmini’s attendants show their dismay at her elopement by throwing their hands up. In this episode from the tenth book of the Bhagavata Purana, Krishna kidnaps and elopes with Rukmini at her request to prevent an unwanted marriage with the evil king Shishupala, who is also Krishna’s cousin. Later, Rukmini becomes Krishna's principal wife and queen. This folio most likely belonged to a Bhagavata Purana series produced in the Pahari region of Northern India. Other folios from the same Bhagavata Purana series in the Harvard Art Museum’s collection are objects 2001.336, 2001.337, 2001.338. Rajput, Pahari.
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu