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Identification and Creation

Object Number
2002.50.75
Title
Fragmentary Bowl with Seated Figure Surrounded by Inscriptions
Classification
Vessels
Work Type
vessel
Date
12th-13th century
Places
Creation Place: Middle East, Iran, Kashan
Period
Seljuk-Atabeg period
Persistent Link
https://hvrd.art/o/165531

Physical Descriptions

Medium
Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
Technique
Lusterware
Dimensions
9.7 x 22.3 cm (3 13/16 x 8 3/4 in.)

Provenance

Recorded Ownership History
Stanford and Norma Jean Calderwood, Belmont, MA (by 1973-2002), gift; to Harvard Art Museums, 2002.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
Accession Year
2002
Object Number
2002.50.75
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
This bowl is an ingeniously constructed pastiche that has been skillfully put together from fragments of six different vessels.

Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
135

Fragmentary bowl with seated figure surrounded by inscriptions
Modern assemblage from fragments attributed to Iran, Kashan, Seljuk-Atabeg period, 12th–13th century
Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
9.7 × 22.3 cm (3 13/16 × 8 3/4 in.)
2002.50.75

This bowl is an ingeniously constructed pastiche that has been skillfully put together from fragments of five different vessels.[1]

Mary McWilliams

[1] For further explication of the process, see, in this catalogue, the essay by Anthony B. Sigel, “History in Pieces: Conservation Issues in Islamic Ceramics,” 37–49 and figs. 2–3.

Publication History

  • Holly Salmon, "A Comparative Analysis of Lusterware from the Calderwood Collection of Islamic Art" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, June 2003), Unpublished, pp. 1-54 passim
  • Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), pp. 40-41, 135, ill.; p 265, cat. 135, ill.

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu