- Identification and Creation
-
- Object Number
- 2002.50.76
- Title
- Jug with Birds and Inscription Bands
- Classification
- Vessels
- Work Type
- vessel
- Date
- late 12th-early 13th century
- Places
- Creation Place: Middle East, Iran, Kashan
- Period
- Seljuk-Atabeg period
- Persistent Link
- https://hvrd.art/o/165493
- Physical Descriptions
-
- Medium
- Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
- Technique
- Lusterware
- Dimensions
- 26.3 x 15.4 cm (10 3/8 x 6 1/16 in.)
- Provenance
- [Mansour Gallery, London, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
- Acquisition and Rights
-
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
- Accession Year
- 2002
- Object Number
- 2002.50.76
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Descriptions
-
- Description
- The lower part of this jug is decorated with repeating arch-like forms enclosing long-necked birds facing left. An illegible inscription in Persian encircles the shoulder. Above this are foliate designs and roundels containing leftward-facing birds similar to the others. Used either as filler or as part of figural compositions, birds are a common motif in Iranian lusterware. The neck of the jug is decorated with two bands of illegible Kufic script separated by a band of swirling tendrils. White glaze covers the body of the vessel but ends in thick droplets short of the base. On one side of the jug the luster retains a dark red cast; elsewhere it is yellowish and, in the areas of the handle and mouth, shows considerable abrasion.
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Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
33
Jug with birds and inscription bands
Iran, Seljuk-Atabeg period, late 12th–early 13th century[1]
Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
26.3 × 15.4 cm (10 3/8 × 6 1/16 in.)
2002.50.76
The lower part of this jug is decorated with repeating arch-like forms enclosing long-necked birds facing left. An illegible inscription in Persian encircles the shoulder. Above this are foliate designs and roundels containing leftward-facing birds similar to the others. Used either as filler or as part of figural compositions, birds are a common motif in Iranian lusterware. The neck of the jug is decorated with two bands of illegible Kufic script separated by a band of swirling tendrils. White glaze covers the body of the vessel but ends in thick droplets short of the base. On one side of the jug the luster retains a dark red cast; elsewhere it is yellowish and, in the areas of the handle and mouth, shows considerable abrasion.
Ayşin Yoltar-Yıldırım
[1] The jug was last fired between 700 and 1200 years ago, according to the results of thermoluminescence analysis carried out by Oxford Authentication Ltd. in 2011.
- Publication History
-
Holly Salmon, "A Comparative Analysis of Lusterware from the Calderwood Collection of Islamic Art" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, June 2003), Unpublished, pp. 1-54 passim
Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), p. 191, cat. 33, ill.
- Exhibition History
-
Closely Focused, Intensely Felt: Selections from the Norma Jean Calderwood Collection of Islamic Art, Harvard University Art Museums, Cambridge, 08/07/2004 - 01/02/2005
Re-View: Arts of India & the Islamic Lands, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 04/26/2008 - 06/01/2013
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This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu