2002.50.4: Illuminated frontispiece (illuminated text, recto; text, verso), left-hand side of a bifolio from a manuscript of the Shahnama by Firdawsi
ManuscriptsIdentification and Creation
- Object Number
- 2002.50.4
- People
-
Qasim, Persian
- Title
- Illuminated frontispiece (illuminated text, recto; text, verso), left-hand side of a bifolio from a manuscript of the Shahnama by Firdawsi
- Classification
- Manuscripts
- Work Type
- manuscript folio
- Date
- 16th century
- Period
- Safavid period
- Culture
- Persian
- Persistent Link
- https://hvrd.art/o/165388
Physical Descriptions
- Medium
- Black ink, opaque watercolor, and gold on off-white paper
- Dimensions
- 38.2 x 25.6 cm (15 1/16 x 10 1/16 in.)
Provenance
- Recorded Ownership History
- [Mansour Gallery, London, by 1994 or 1995], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1994 or 1995 - 2002), gift; to Harvard Art Museums, 2002.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
- Accession Year
- 2002
- Object Number
- 2002.50.4
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
The recto of this folio is the left half of a frontispiece from a copy of the Shahnama. Written in white nasta'liq script within the central medallion are lines of Baysunghur Mirza’s introduction to Firdawsi’s epic. The illumination consists of abstract curvilinear motifs in blue and gold overlaid with sinuous cloudbands and colorful floral scrolls. To the right of the inner rectangle, at the midpoint of the blue ruling, a tiny inscription in white reads, amal-i Qasim (made by Qasim), probably referring to the illuminator.
In design and palette, this frontispiece is comparable to others produced in Iran and Central Asia in the second half of the sixteenth century. For comparison see 2002.50.127 and 2002.50.126 at the Harvard Art Museums.
Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
112
Qasim
Left half of an illuminated double-page frontispiece
Folio from a manuscript of the Shāhnāma by Firdawsi
Recto: illumination, with text from Baysunghur Mirza’s introduction
Verso: text
Iran or Central Asia, 16th–17th century
Black ink, opaque watercolor, and gold on off-white paper
Folio: 38.2 × 25.6 cm (15 1/16 × 10 1/16 in.)
2002.50.4
The recto of this folio is the left half of a frontispiece from a copy of the Shāhnāma. Written in white nastaʿ līq script within the central medallion are lines of Baysunghur Mirza’s introduction to Firdawsi’s epic.[1]
The illumination consists of abstract curvilinear motifs in blue and gold overlaid with sinuous cloudbands and colorful floral scrolls. To the right of the inner rectangle, at the midpoint of the blue ruling, a tiny inscription in white reads, amal-i Qāsim (made by Qasim), probably referring to the illuminator.
In design and palette, this frontispiece is comparable to others produced in Iran and Central Asia in the second half of the sixteenth century (see, for instance, cat. 102 A–B).
Mika M. Natif
[1] See Riyāḥi 1993, 364.
Publication History
- Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), pp. 247-248, cat. 112, ill.
Exhibition History
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu