- Identification and Creation
-
- Object Number
- 2002.50.18
- Title
- Bahram Gur in the Sandalwood Pavilion (painting, verso; text, recto), folio from a manuscript of the Khamsa (Haft Paykar) by Nizami
- Classification
- Manuscripts
- Work Type
- manuscript folio
- Date
- early 17th century
- Places
- Creation Place: Middle East, Iran
- Period
- Safavid period
- Culture
- Persian
- Persistent Link
- https://hvrd.art/o/165380
- Physical Descriptions
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- Medium
- Ink, opaque watercolor and gold on paper
- Dimensions
- 26.2 x 16.1 cm (10 5/16 x 6 5/16 in.)
- Provenance
- Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
- Acquisition and Rights
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- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
- Accession Year
- 2002
- Object Number
- 2002.50.18
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Descriptions
-
- Description
- This work illustrates the episode of Bahram Gur visiting the Chinese princess Yaghme in her sandalwood pavilion.
Here, too, the king and his bride sit together, served and entertained by female attendants and musicians, and colors of their clothing—gold and white—correspond with those of the pavilion dome. Although the figures are now larger in scale and their hair and headdress styles somewhat different, this painting, in comparison with the earlier one, shows the iconographic continuity of Safavid-period illustrations of the Haft paykar. Due to pigment deterioration, the appearance of the painting is seriously compromised. -
Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
151
Bahram Gur in the Sandalwood Pavilion
Folio from a manuscript of the Haft paykar by Nizami
Recto: text
Verso: text and illustration
Iran, Safavid period, early 17th century
Black ink, opaque watercolor, gold, silver, and punch work on off-white paper, with underdrawing in black ink
Folio: 26.2 × 16.1 cm (10 5/16 × 6 5/16 in.)
2002.50.18
This work illustrates the same episode as cat. 111: Bahram Gur visiting the Chinese princess Yaghme in her sandalwood pavilion. Here, too, the king and his bride sit together, served and entertained by female attendants and musicians, and colors of their clothing—gold and white—correspond with those of the pavilion dome. Although the figures are now larger in scale and their hair and headdress styles somewhat different, this painting, in comparison with the earlier one, shows the iconographic continuity of Safavid-period illustrations of the Haft paykar. Due to pigment deterioration, the appearance of the painting is seriously compromised.
Mika M. Natif
- Publication History
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Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), p. 273, cat. 151, ill.
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This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu