2002.50.73: Bowl with Seated Couple
VesselsIdentification and Creation
- Object Number
- 2002.50.73
- Title
- Bowl with Seated Couple
- Classification
- Vessels
- Work Type
- vessel
- Date
- 12th-13th century
- Places
- Creation Place: Middle East, Iran, Kashan
- Period
- Seljuk-Atabeg period
- Persistent Link
- https://hvrd.art/o/165185
Physical Descriptions
- Medium
- Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
- Technique
- Lusterware
- Dimensions
- 9.5 x 21.1 cm (3 3/4 x 8 5/16 in.)
Provenance
- Recorded Ownership History
- [Hadji Baba Rabbi House of Antiquities, Teheran, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
- Accession Year
- 2002
- Object Number
- 2002.50.73
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- On the interior of this bowl, a seated couple flanks a central, checkered tree, which— together with the fish swimming below and a busy network of thin, curving vines—conveys the idea of a garden setting. Along the walls of the bowl are six roundels decorated alternately with harpies and human figures. Like birds, harpies are commonly found in Persian Islamic ceramics and usually carry auspicious connotations. The area just below the rim is decorated with a pseudo-inscription with plaited verticals. The exterior features double vertical lines bracketing loosely painted scrolls. Recent museum conservation of the bowl has showed it to be made up of fifteen major fragments, but all join fairly smoothly, indicating that nothing has been lost from the original object. The luster is brilliant and reddish in tone.
Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
31
Bowl with seated couple
Iran, Seljuk-Atabeg period, 12th–13th century[1]
Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
9.5 × 21.1 cm (3 3/4 × 8 5/16 in.)
2002.50.73
On the interior of this bowl, a seated couple flanks a central, checkered tree, which— together with the fish swimming below and a busy network of thin, curving vines— conveys the idea of a garden setting. Along the walls of the bowl are six roundels decorated alternately with harpies and human figures. Like birds, harpies are commonly found in Persian Islamic ceramics and usually carry auspicious connotations. The area just below the rim is decorated with a pseudo-inscription with plaited verticals. The exterior features double vertical lines bracketing loosely painted scrolls. Recent museum conservation of the bowl has showed it to be made up of fifteen major fragments, but all join fairly smoothly, indicating that nothing has been lost from the original object. The luster is brilliant and reddish in tone.
Ayşin Yoltar-Yıldırım
[1] This bowl is of “ancient origin,” according to the results of thermoluminescence analysis carried out by the Research Laboratory of the Museum of Fine Arts, Boston, in 1973.
Publication History
- Holly Salmon, "A Comparative Analysis of Lusterware from the Calderwood Collection of Islamic Art" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, June 2003), Unpublished, pp. 1-54 passim
- Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), p. 190, cat. 31, ill.
Exhibition History
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu