2.2002.267: The White Train (Pantex Nuclear Weapons Final Assembly Plant, Carson County, Texas, August 7, 1982)
Photographs
This object does not yet have a description.
Identification and Creation
- Object Number
- 2.2002.267
- People
-
Robert Del Tredici, American (Cloverdale, California born 1938)
- Title
- The White Train (Pantex Nuclear Weapons Final Assembly Plant, Carson County, Texas, August 7, 1982)
- Classification
- Photographs
- Work Type
- photograph
- Date
- 1982
- Places
- Creation Place: North America, United States, Texas
- Culture
- American
- Persistent Link
- https://hvrd.art/o/148729
Physical Descriptions
- Technique
- Gelatin silver print
- Dimensions
-
image: 18.5 x 27.6 cm (7 5/16 x 10 7/8 in.)
sheet: 27.5 x 35 cm (10 13/16 x 13 3/4 in.) - Inscriptions and Marks
-
- label: verso of mount, upper edge, removed: The White Train waits on the ground of the Pantex Nuclear Weapons Final Assembly Plant. Its ATMX safe / secure rail cars were once routinely loaded with nuclear warheads for dlivery to submarine bases on the Atlantic and Pacific. The train crossed America east from Amarillo to Charleston, and northwest from the Texas Panhandle to Puget Sound. Pantex Nuclear Weapons Final Assembly Plant, Carson County, Texas. August 7, 1982
- inscription: verso, u.r. corner, likely not in artist's hand: P_1997_9 Del Tredici
- inscription: verso, b.r. corner, in graphite, in different hands: The White Train 2.2002.267
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Transfer from the Carpenter Center for the Visual Arts, Beinecke Fund
- Copyright
- Photograph copyright by Robert Del Tredici
- Accession Year
- 2011
- Object Number
- 2.2002.267
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- Makeda Best, ed., Devour the Land: War and American Landscape Photography since 1970, exh. cat., Harvard Art Museums (Cambridge, MA, 2021), p. 73, cat. no. 17, ill.
Exhibition History
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu