Harvard Art Museums > 13.2002: Pop Art Redefined Prints Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Pop Art Redefined (Eduardo Paolozzi) , 13.2002,” Harvard Art Museums collections online, Apr 24, 2024, https://hvrd.art/o/147760. This object does not yet have a description. Identification and Creation Object Number 13.2002 People Eduardo Paolozzi, British (Leith, Scotland 1924 - 2005 London, England) Title Pop Art Redefined Other Titles Alternate Title: Lots of Pictures, Lots of Fun Classification Prints Work Type print Date 1971 Culture British Persistent Link https://hvrd.art/o/147760 Physical Descriptions Technique Screen print Dimensions design: 65.3 x 52.3 cm (25 11/16 x 20 9/16 in.) Inscriptions and Marks Signed: Edouardo Paolozzi inscription: yes, lower margin, graphite, hand written, signed, in artist's hand: signature, date, edition numbering: Eduardo Paolozzi 1971 45/1000 legend: lower ,argin of design area, printer's ink, screen print: LOTS OF PICTURES - LOTS OF FUN State, Edition, Standard Reference Number Standard Reference Number Miles 98 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Anonymous Loan in honor of Gil Einstein and Anne MacDougall Copyright © Eduardo Paolozzi / Artists Rights Society (ARS), New York Object Number 13.2002 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Commentary This print comes after Paolozzi's long exploration of mechanistic form through the Kelpra Studio. He has allowed American Pop art to loosen his earnestness. The image is, while appreciative of Pop developments, sly in its criticism, with Warhol, Lichtenstein, and Johns all receiving jabs, along with the collective weight of the elephantine American dominance over Britain, where Pop may truly be said to have begun, with Paolozzi, Hamilton, and others. A version of the design appeared on the cover of "Studio International" (v. 182, no. 937, Oct. 1971), and the edition of the print was sponsored and sold by the journal, which had been for decades Britain's pre-eminent contemporary art magazine ($20 to subscribers, $30 to non-subscribers). Exhibition History European and American Pop Art, 1955-1975, Harvard Art Museums, Cambridge, 09/03/2015 - 01/03/2016 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
