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Identification and Creation

Object Number
2002.50.131
Title
Double page: Rustam Mourns Sohrab and Carries His Coffin (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
Classification
Manuscripts
Work Type
manuscript folio
Date
1575-1590
Places
Creation Place: Middle East, Iran, Shiraz
Period
Safavid period
Culture
Persian
Persistent Link
https://hvrd.art/o/146957

Physical Descriptions

Medium
Ink, opaque watercolor and gold on paper
Dimensions
42.7 x 27.1 cm (16 13/16 x 10 11/16 in.)

Provenance

Recorded Ownership History
[Mansour Gallery, London, before 1990 or 1992], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1990 or 1992-2002), gift; to Harvard Art Museums, 2002.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
Accession Year
2002
Object Number
2002.50.131
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
This painting is part of a double-page composition that represents two final moments in the tragic tale of Rustam, the great Iranian hero, and his son, Sohrab. Rustam had departed the kingdom of his bride, Tahmina, before Sohrab’s birth. He was unaware of his son’s existence until they met, years later, on the battlefield, where Sohrab was leading the Turanian army against the Iranians. Not recognizing each other, the two champions fought in fierce single combat on three successive days. Only after Rustam managed to wrestle Sohrab to the ground and fatally stab him was the identity of the mighty young warrior revealed to his distraught father.
The painting on the right depicts Rustam kneeling next to his dying son, who lies mortally wounded. Sohrab’s coat has been partially pulled off to reveal on his arm the amulet that Rustam gave Tahmina the night Sohrab was conceived. Warriors of the two armies, looking on in shock, encircle the two heroes. The painting on the left shows Rustam singlehandedly carrying the coffin of his son. The mourners around him raise their arms in the air, beat their chests, and undo their turbans in grief.
The double-page composition is surrounded by lavish gold-and-blue illuminated borders consisting of curvilinear trefoils and floral tracery.

Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
95 A–B

Double page: Rustam Mourns Sohrab and Carries His Coffin
A. Verso: text and illustration (of Rustam mourning Sohrab)
Folio: 42.7 × 27.1 cm (16 13/16 × 10 11/16 in.)
2002.50.32
B. Recto: text and illustration (of Rustam carrying Sohrab’s coffin)
Folio: 42.7 × 27.1 cm (16 13/16 × 10 11/16 in.)
2002.50.131

The paintings of this double page represent two final moments in the tragic tale of Rustam, the great Iranian hero, and his son, Sohrab. Rustam had departed the kingdom of his bride, Tahmina, before Sohrab’s birth. He was unaware of his son’s existence until they met, years later, on the battlefield, where Sohrab was leading the Turanian army against the Iranians. Not recognizing each other, the two champions fought in fierce single combat on three successive days. Only after Rustam managed to wrestle Sohrab to the ground and fatally stab him was the identity of the mighty young warrior revealed to his distraught father.

The painting on the right depicts Rustam kneeling next to his dying son, who lies mortally wounded. Sohrab’s coat has been partially pulled off to reveal on his arm the amulet that Rustam gave Tahmina the night Sohrab was conceived. Warriors of the two armies, looking on in shock, encircle the two heroes. The painting on the left shows Rustam singlehandedly carrying the coffin of his son. The mourners around him raise their arms in the air, beat their chests, and undo their turbans in grief.

The double-page composition is surrounded by lavish gold-and-blue illuminated borders consisting of curvilinear trefoils and floral tracery.

Mika M. Natif

Publication History

  • Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), pp. 96-99, ill.; p. 237, cat. 95B, ill.

Exhibition History

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu