2003.57: Landscape with Figures
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- 2003.57
- People
-
Jean Dubuffet, French (LeHavre, France 1901 - 1985 Paris, France)
- Title
- Landscape with Figures
- Other Titles
- Original Language Title: Paysage avec personnages
- Classification
- Paintings
- Work Type
- painting
- Date
- 1946
- Places
- Creation Place: Europe, France
- Culture
- French
- Persistent Link
- https://hvrd.art/o/143235
Location
- Location
-
Level 1, Room 1330, Modern and Contemporary Art, New Images
Physical Descriptions
- Medium
- Oil on canvas
- Dimensions
-
97 x 130 cm (38 3/16 x 51 3/16 in.)
framed: 104.2 x 137.5 x 3.9 cm (41 x 54 1/8 x 1 9/16 in.) - Inscriptions and Marks
-
- Signed: on reverse in black paint on canvas: J. Dubuffet '46
Provenance
- Recorded Ownership History
-
Mrs. Frances Leventritt, New York, New York, gift; to Harvard University Art Museums, 2003.
NOTE: Painting was on loan to the Art Museums from April 2002 to the time of the gift.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Frances Leventritt in honor of John Rosenfield
- Copyright
- © Artists Rights Society (ARS), New York / ADAGP, Paris
- Accession Year
- 2003
- Object Number
- 2003.57
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- The painting depicts figures inscribed in a gridded landscape of trees, houses, an automobile, and various ambiguous features as well. The facture consists of a layering of black and green and white paint on a red ground with vigorous scratchings and more subtle additions of paint.
- Commentary
- This is a remarkably powerful painting from Dubuffet's prolific burst of early work. It demonstrates both his interest in appropriating what he dubbed Art Brut, or "primitive" art, and his deep knowledge of modernist painting and its use of the grid as an organizing pictorial principle. While part of a loose series depicting anonymous figures in a clotted semi-urban landscape under a strip of sky, the picture is remarkable for its vigorous handling and all-over treatment of the surface.
Publication History
- Max Loreau, ed., Catalogue des travaux de Jean Dubuffet, J.-J. Pauvert (Paris, France, 1964), vol. 2, p. 95, no. 143
Exhibition History
- 32Q: 1330 , Harvard Art Museums, Cambridge, 09/04/2021 - 01/01/2050
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu