2002.67: Conical Bowl with Floral Decor Against a Textured Ground
VesselsA porcelain bowl with a pale blue-green glaze that stands upright on a grey background. It has a small foot and the walls jut diagonally outward. The walls are very thin and straight. The inside of the walls have carved lines that make a large floral pattern.
Gallery Text
Chinese ceramic wares made in Song dynasty (960–1279) court taste are esteemed for their refined forms, subtle decoration, and soft, muted glaze colors. Buoyed by national peace, economic prosperity, and the rise of a highly educated civil official class, local ceramics industries throughout China began to thrive and innovate at unprecedented levels.
Kilns seeking to supply household wares to their highly cultured clientele often created pieces that were reminiscent of other precious items. For example, northern Ding wares, with their decorative designs and thin bodies, were often compared to silverwork, while the thick green glazes coating southern Longquan wares brought carved jades to mind. Although natural forms were popular, like those inspired by flower blossoms, government officials, who had attained their positions through long study of ancient texts and history, were especially drawn to ceramics that resembled the bronzes and jades of antiquity. Courtly taste in China would change drastically after the Song, shifting toward brightly decorated blue-and-white porcelains, invented at Jingdezhen in the fourteenth century and manufactured at the same kilns that produced the delicate blue-tinged white wares known as qingbai.
Identification and Creation
- Object Number
- 2002.67
- Title
- Conical Bowl with Floral Decor Against a Textured Ground
- Classification
- Vessels
- Work Type
- vessel
- Date
- 11th-early 12th century
- Places
- Creation Place: East Asia, China, Jiangxi province, Jingdezhen
- Period
- Song dynasty, Northern Song period, 960-1127
- Culture
- Chinese
- Persistent Link
- https://hvrd.art/o/143056
Physical Descriptions
- Medium
- Qingbai ware: porcelain with pale sky-blue glaze over incised and carved decoration
- Technique
- Qingbai
- Dimensions
- H. 4.9 x Diam. 14.5 cm (1 15/16 x 5 11/16 in.)
Provenance
- Recorded Ownership History
- [J. J. Lally & Co., New York, 2002], sold; to Harvard University Art Museums, 2002.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David Berg, Esq., by exchange
- Accession Year
- 2002
- Object Number
- 2002.67
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Exhibition History
- Plum, Orchid, Chrysanthemum, and Bamboo: Botanical Motifs and Symbols in East Asian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 07/06/2002 - 01/05/2003
- Rocks, Mountains, Landscapes and Gardens: The Essence of East Asian Painting ('04), Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 01/31/2004 - 08/01/2004
- A Compelling Legacy: Masterworks of East Asian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 08/24/2004 - 03/20/2005
- Forging the New: East Asian Painting in the Twentieth Century, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 05/03/2005 - 10/16/2005
- Downtime, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 04/28/2007 - 04/20/2008
- Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
- 32Q: 2600 East Asian, Japanese, Chinese and Korean, Harvard Art Museums, Cambridge, 11/16/2014 - 01/13/2020
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu