Harvard Art Museums > 4.2002.38: Untitled (Betty's first bike, Chamberlain, South Dakota) Photographs Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Untitled (Betty's first bike, Chamberlain, South Dakota) (Orrion Barger)(Edith Barger) , 4.2002.38,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/115265. This object does not yet have a description. Identification and Creation Object Number 4.2002.38 People Orrion Barger, American (active 1913 - 1984) Edith Barger, American (Howard, South Dakota 1913 - 2007 Chamberlain, South Dakota) Title Untitled (Betty's first bike, Chamberlain, South Dakota) Other Titles Series/Book Title: American Professional Photographers Collection Classification Photographs Work Type photograph Date 1948, printed later Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/115265 Physical Descriptions Technique Gelatin silver print Dimensions image: 24.1 x 30.8 cm (9 1/2 x 12 1/8 in.) Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Transfer from the Carpenter Center for the Visual Arts, American Professional Photographers Collection Accession Year 2011 Object Number 4.2002.38 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Michelle Lamuniere, A New Kind of Historical Evidence: Photographs from The Carpenter Center Collection, brochure, Harvard University Art Museums (Cambridge, MA, 2005), p. 8, fig. 7, ill. Exhibition History A New Kind of Historical Evidence: Photographs from The Carpenter Center Collection, Harvard University Art Museums, Fogg Art Museum, Cambridge, 08/06/2005 - 10/30/2005 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu