Harvard Art Museums > 2002.50.38: Gudarz Pays Homage to Kay Khusraw and Shows Him the Enemy Corpses (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi Manuscripts Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Gudarz Pays Homage to Kay Khusraw and Shows Him the Enemy Corpses (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi , 2002.50.38,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/100602. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2002.50.38 Title Gudarz Pays Homage to Kay Khusraw and Shows Him the Enemy Corpses (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi Classification Manuscripts Work Type manuscript folio Date 1575-1590 Places Creation Place: Middle East, Iran, Shiraz Period Safavid period Culture Persian Persistent Link https://hvrd.art/o/100602 Physical Descriptions Medium Ink, opaque watercolor and gold on paper Dimensions 42.9 x 27.1 cm (16 7/8 x 10 11/16 in.) Provenance Recorded Ownership History [Mansour Gallery, London, 1990 or 1992], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1990 or 1992 - 2002), gift; to Harvard Art Museums, 2002. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art Accession Year 2002 Object Number 2002.50.38 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description After assuming the throne, Kay Khusraw summoned his best warriors, heroes, and chieftains to battle Afrasiyab and the Turanians. When the war was nearly won, the king came to join his forces. In the painting he and the hero Rustam appear on horseback at the left. The Iranian warrior Gudarz and his sons have dismounted, and one of them kneels in front of Rustam and Kay Khusraw. Four severed heads on the ground between the two groups and five more on spikes at upper right represent the enemy corpses mentioned in the text and offer proof of the Iranians’ success. The composition is studded with soldiers, mounted or on foot, observing the event. Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 201398 Gudarz Pays Homage to Kay Khusraw and Shows Him the Enemy Corpses Recto: text, with title “Kay Khusraw arrives at the camp” Verso: text and illustration Folio: 42.9 × 27.1 cm (16 7/8 × 10 11/16 in.) 2002.50.38 After assuming the throne, Kay Khusraw summoned his best warriors, heroes, and chieftains to battle Afrasiyab and the Turanians. When the war was nearly won, the king came to join his forces. In the painting he and the hero Rustam appear on horseback at the left. The Iranian warrior Gudarz and his sons have dismounted, and one of them kneels in front of Rustam and Kay Khusraw. Four severed heads on the ground between the two groups and five more on spikes at upper right represent the enemy corpses mentioned in the text and offer proof of the Iranians’ success. The composition is studded with soldiers, mounted or on foot, observing the event. Mika M. Natif Publication History Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), pp. 85-87, ill.; pp. 165-167, ill.; p. 239, cat. 98, ill. Exhibition History In Harmony: The Norma Jean Calderwood Collection of Islamic Art, Harvard Art Museums, Cambridge, 01/31/2013 - 06/01/2013 Arghavan Khosravi: Black Rain, Rose Art Museum, Brandeis University, 08/03/2023 - 10/22/2023 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu