Harvard Art Museums > L108: Death and Victory Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Death and Victory (John Singer Sargent) , L108,” Harvard Art Museums collections online, Nov 07, 2024, https://hvrd.art/o/305207. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number L108 People John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England) Title Death and Victory Classification Paintings Work Type painting Date 1922 Culture American Persistent Link https://hvrd.art/o/305207 Physical Descriptions Medium Oil on canvas Dimensions 439.4 x 186.7 cm (173 x 73 1/2 in.) Inscriptions and Marks Signed: l.l.: JOHN S. SARGENT © Acquisition and Rights Credit Line Harvard University Portrait Collection, Anonymous gift to Harvard University Object Number L108 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History M.F. B., "Harvard's Heroic War Dead Immortalized by John Singer Sargent", Boston Evening Transcript (Boston, MA, November 3, 1922), p. 20, p. 20, repr. Frederick W. Coburn, "In the World of Art", Boston Sunday Herald (Boston, MA, November 5, 1922) George Harold Edgell, "Mr. Sargent's Paintings in the Widener Library", Harvard Alumni Bulletin (Cambridge, MA, November 9, 1922), XXV, no. 7, pp. 171-173, p. 171, ill. p. 172 Margaret E. Gilman, "The Sargent Panels in the Widener Library", The Harvard Graduates' Magazine (Cambridge, MA, December 1922), vol. 31, no 122, pp. 215-216, pp. 215-216 "The Sargent War Panels", Harvard Alumni Bulletin, Harvard University (Cambridge, MA, November 9, 1922), XXV, no. 7, p. 161, p. 161 Sidney Woodward, "Unveil Sargent's Panels at Harvard", American Art News (November 11, 1922), vol. XXI, p. 5, p. 5 "Murals", Art News (February 9, 1929), vol. XXVII, no. 19, p. 12 "Sargent Murals Well Received at First Appearance", The Harvard Crimson (Cambridge, MA, June 8, 1929), p. 1 "The Writing on the Wall", The Harvard Crimson (Cambridge, MA, May 31, 1929), vol. XCV, #84, p. 2 John Walker III, "To the Editor of the Crimson", The Harvard Crimson (Cambridge, MA, June 7, 1929), vol. XCV, no. 90, p. 5, p. 2 Alan Burroughs, Limners and Likenesses: Three Centuries of American Painting, Harvard University Press (Cambridge, MA, 1936), p. 205 Richard Ormond, John Singer Sargent: Paintings, Drawings, Watercolors, Harper & Row (New York, NY and London, England, 1970), p. 94 Carter Ratcliff, John Singer Sargent, Abbeville Press (New York, 1982), pp. 203-209, repr. "Sargent Paintings Honor Harvard Doughboys", Arts Spectrum, Office for the Arts at Harvard and Radcliffe (Cambridge, MA, February 1992), ill. n.p. Trevor J. Fairbrother, John Singer Sargent, Harry N. Abrams, Inc. (New York, NY, 1994), p. 121 Elaine Kilmurray and Richard Ormond, John Singer Sargent, exh. cat., Tate Gallery Publishing Limited (London, England, 1998), p. 48-50, repr.in b/w fig. 48 Jane Dini, "The Art of Selling War: Sargent's World War I Murals for Harvard University", Harvard University Art Museums Bulletin (Cambridge, MA, Fall 1999 - Winter 2000), vol. 7, no. 1, pp. 67-84, p. 67, fig. 1 Stephanie Herdrich and Helen Barbara Weinberg, American Drawings and Watercolors in the Metropolitan Museum of Art: John Singer Sargent, The Metropolitan Museum of Art (New York, NY, 2000), pp. 219-221, fig. 89, repr.; p. 266, under no. 234 Joshua Goldstein, War and Gender: How Gender Shapes the War System and Vice Versa, Cambridge University Press (Cambridge, England, 2001), p. 301; repr. p. 302 Bruce Robertson, ed., Sargent and Italy, exh. cat., Los Angeles County Museum of Art/Princeton University Press (Los Angeles, CA and Princeton, NJ, 2002), p. 111; p. 184, repr. in b/w Matthew Battles, Widener: Biography of a Library, Harvard University Press (Cambridge, MA and London, England, 2004), pp. 63-67, repr. in color Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), pp.343-344, cat. 362, ill. p. 344 Sally Webster, "The Art of the Americas Wing, Museum of Fine Arts, Boston" [review], Nineteenth-Century Art Worldwide (Autumn 2011), 10, issue 2 [electronic journal] John Thomas, Redemption Achieved: John Singer Sargent's "Crucifixion of Christ with Adam & Eve" and Its Place in His Work, Twin Books (Wolverhampton, 2017), p. 7 Nathaniel Silver, Boston's Apollo: Thomas McKeller and John Singer Sargent, exh. cat., Isabella Stewart Gardner Museum (Boston, 2020), pp. 28-29, 50, 111, fig. 15 Paul Fisher, The Grand Affair: John Singer Sargent in His World, Farrar, Straus & Giroux (New York, 2022), pp. 369-370 Related Articles Artist Letters: John Singer Sargent July 30, 2013 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. 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