1943.703: The Ghost of Clytemnestra, from Aeschylus's "The Furies" ("Eumenides")
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1943.703
- People
-
John Flaxman, British (York, England 1755 - 1826 London, England)
- Title
- The Ghost of Clytemnestra, from Aeschylus's "The Furies" ("Eumenides")
- Classification
- Drawings
- Work Type
- drawing
- Date
- c. 1792
- Culture
- British
- Persistent Link
- https://hvrd.art/o/297559
Physical Descriptions
- Medium
- Black ink and graphite on cream laid paper
- Dimensions
- 22 x 34 cm (8 11/16 x 13 3/8 in.)
Provenance
- Recorded Ownership History
- Grenville L. Winthrop; his bequest to the Fogg Art Museum, 1943.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.703
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Publication History
- G. E. Bentley, Jr., The Early Engravings of Flaxman's Classical Designs: A Bibliographical Study, New York Public Library (New York, NY, 1964), p. 46
- Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), pp. 136-137, no. 95b, repr. p. 137
- David Irwin, John Flaxman, 1755-1826, Rizzoli (New York, 1979), pg. 88, pl. 112
- Sarah Symmons, Flaxman and Europe: The Outline Illustrations and their Influence, Garland (New York, NY and London, England, 1984), fig. 11=Nottingham Castle Museum version of Ghost of Clytemnestra
- Joselita Raspi Serra, ed., Paestum and the Doric revival, 1750-1830: essential outlines of an approach, exh. cat., Centro Di (Florence, Italy, 1986), p. 60; repr. fig. 58
- Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 173, repr. (color)
- Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 173, repr.
- Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), pp. 79, 281, repr. p. 76 as fig. 1
Exhibition History
- Grenville L. Winthrop: Retrospective for a Collector, Fogg Art Museum, Cambridge, 01/23/1969 - 03/31/1969
- The Age of Romanticism, Busch-Reisinger Museum, Cambridge, 03/15/1986 - 05/18/1986
- Portrait, Prospect and Poetry: British Drawings from the Grenville L. Winthrop Bequest, Harvard University Art Museums, Cambridge, 09/11/1993 - 11/07/1993
- A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004
- Drawing: The Invention of a Modern Medium, Harvard Art Museums, Cambridge, 01/21/2017 - 05/07/2017
Related Digital Tours
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu