1970.108: Bell Krater (mixing bowl for wine and water): Revelers (Komos); Draped Youths
Vessels
Identification and Creation
- Object Number
- 1970.108
- People
-
Attributed to The Christie Painter, Greek (active 440 - 430 BCE)
- Title
- Bell Krater (mixing bowl for wine and water): Revelers (Komos); Draped Youths
- Classification
- Vessels
- Work Type
- vessel
- Date
- c. 430 BCE
- Places
- Creation Place: Ancient & Byzantine World, Europe, Attica
- Period
- Classical period, High
- Culture
- Greek
- Persistent Link
- https://hvrd.art/o/289082
Physical Descriptions
- Medium
- Terracotta
- Technique
- Red-figure
- Dimensions
- 31 cm (12 3/16 in.)
Provenance
- Recorded Ownership History
- Ruth Steele Brooks, bequest; to the Fogg Art Museum, 1970.
State, Edition, Standard Reference Number
- Standard Reference Number
- Beazley Archive Database #213589
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Ruth Steele Brooks
- Accession Year
- 1970
- Object Number
- 1970.108
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
Intact, red-figure bell krater. On side A: Revelers (Komos). Three beardless revellers walk to the right carrying a walking stick, double flute, and torch, respectively. Each figure wears a chlamys over his shoulders and a filet on the head.
On side B: three draped youths. conversing youths draped in mantle, one with walking stick. On the left, two youth stand and face right, the second holding a staff. On the far right, a youth faces left, reaching his hand forward. All three figures wear a floor-length himation. A pair of jumping weights are suspended in the field.
On both sides, a groundline of meander alternating with saltires. A band of laurel wreath decorates the lip and egg-and-dart surrounding each handle. - Commentary
- This vessel is attributed to The Christie Painter, a member of the group of Polygnotos, active in the mid-late fifth century BCE. Like the Polygnotos Painter, the Christie Painter excels at naturalistic and fluid figures, seen here in the figures's graceful movement and lifelike gestures.
Publication History
- E.H. Dohan, A Bell-Krater by the Christie Painter, The University Museum Bulletin, University of Pennsylvania (University of Pennseylvania, 1936), 6, no. 4, pp. 126-128, pl. VII
- J. D. Beazley, Attic Red-figure Vase-Painters (Oxford, 1963), 1047.20
- Diana M. Buitron, Attic Vase Painting in New England Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), p. 128-129, no. 71
- Thomas Carpenter, Thomas Mannack, and Melanie Mendonca, ed., Beazley addenda : additional references to ABV, ARV² & Paralipomena, Oxford University Press (UK) (Oxford, 1989), p. 321
Exhibition History
- Attic Vase Painting in New England Collections, Fogg Art Museum, Cambridge, 03/01/1972 - 04/05/1972
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu