1930.197: The Mystic Marriage of Saint Catherine of Alexandria with Three Female Saints: Ursula, Margaret of Antioch, and an Unidentified Martyr
PaintingsOil painting of four women encircling Saint Catherine of Alexandria who holds a baby wrapped in a white cloth. Saint Catherine wears a blue dress with gold trim and two red, jeweled clasps. Her face is turned downward towards the child in her arms. Three of the four women around Saint Catherine face her while one reads a book. The two women behind Saint Catherine wear green and gold dresses while the two women in front wear red and gold dresses. Two columns and windows are present to the right and left while a dark green and gold tapestry hangs in the background.
Identification and Creation
- Object Number
- 1930.197
- People
-
Adriaen Isenbrant, Netherlandish (c.1480/90 - 1551)
- Title
- The Mystic Marriage of Saint Catherine of Alexandria with Three Female Saints: Ursula, Margaret of Antioch, and an Unidentified Martyr
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1520
- Places
- Creation Place: Europe, Belgium, Bruges
- Culture
- Netherlandish
- Persistent Link
- https://hvrd.art/o/231422
Physical Descriptions
- Medium
- Oil on cradled panel
- Dimensions
-
42.6 x 31.5 cm (16 3/4 x 12 3/8 in.)
frame: 57.3 x 44.5 x 5.3 cm (22 9/16 x 17 1/2 x 2 1/16 in.) - Inscriptions and Marks
-
- label: on back of frame, handwritten:: R695 / A
- label: on back of frame, printed:: EX LIBRIS / E. RODRIGUES
- inscription: on back of frame, handwritten in white chalk:: 8
- inscription: on back of frame, handwritten in graphite:: 219
- inscription: on back of frame, handwritten in black pencil:: 371
- stamp: on back of frame, circular stamp:: [ ] LUZERN GL [ ]
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Nettie G. Naumburg
- Accession Year
- 1930
- Object Number
- 1930.197
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Style and Technique: Their Interrelation in Western European Painting, exh. cat., Fogg Art Museum (Cambridge, MA, 1936), no. 22, p. 29, pl. IX
- Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), pp. 112, 174, repr. b/w cat. no. 110
- Amy Golahny, "Exhibition Review: Imagine Me and You: Dutch and Flemish Encounters with the Islamic World, 1450-1750", Historians of Netherlandish Art Reviews, Historians of Netherlandish Art ([online], July 2024), https://hnanews.org/hnar/reviews/exhibition-review-imagine-me-and-you-dutch-and-flemish-encounters-with-the-islamic-world-1450-1750/, accessed July 17, 2024
Exhibition History
- Style and Technique: Their Interrelation in Western European Painting, Fogg Art Museum, Cambridge, 06/01/1936 - 12/31/1936
- Northern European Art from 1450 to 1550, Harvard University Art Museums, Cambridge, 08/13/1994 - 02/05/1995
- Imagine Me and You: Dutch and Flemish Encounters with the Islamic World, 1450–1750, Harvard Art Museums, Cambridge, 05/18/2024 - 08/18/2024
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Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu