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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1936.58
People
Neri di Bicci, Italian (Florence 1418 - 1492 Florence)
Previously attributed to Agnolo Gaddi, Italian (1350 - 1396)
Title
Saint Margaret of Antioch
Classification
Paintings
Work Type
painting
Date
1471
Culture
Italian, Tuscan, Florentine
Persistent Link
https://hvrd.art/o/231083

Physical Descriptions

Medium
Tempera/oil? on wood panel
Dimensions
56.4 x 30.6 x 3.7 cm (22 3/16 x 12 1/16 x 1 7/16 in.)
Inscriptions and Marks
  • label: back of panel, graphite, handwritten: M. 3611 / 1605. / $60 each
  • inscription: back of frame, black ink, handwritten: 160 / 1

Provenance

Recorded Ownership History
Edward J. Whitney, to; Margaret Whitney, his niece, gift; to Fogg Art Museum, 1936.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Miss Margaret Whitney
Accession Year
1936
Object Number
1936.58
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Roberto Longhi and Alessandro Contini-Bonacossi, Storia del restauro e della conservazione delle opere d'arte, Electra Editrice (Milan, c. 1973), p. 41, repr. as fig. 39
  • Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Harvard University Press (Cambridge, MA, 1972), pp. 76 [as by Agnolo Gaddi], 147 [as repained by Neri di Bicci]
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990)
  • Anabel Thomas, Neri di Bicci, the Compagnia di S. Frediano detta la Bruciata and a painting of a deacon saint, Arte Cristiana (Milan, January - February 1997), vol. 85, no. 778, pp. 27-34, pp. 30-31, 33, repr. p. 33
  • Anabel Thomas, Studies in the History of Painting Restoration, ed. Christine Sitwell and Sarah Staniforth, Archtype / The National Trust (London, 1998), pp. 5-13, repr. p. 6, 11
  • Patricia Lee Rubin and Alison Wright, Renaissance Florence: The Art of the 1470s, exh. cat., National Gallery Publications/Yale University Press (London, England, 1999), pp. 57-58, repr. in color as fig. 36

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu