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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1965.22
People
Kenneth Noland, American (Asheville, NC 1924 - 2010 Port Clyde, ME)
Title
Karma
Classification
Paintings
Work Type
painting
Date
1964
Places
Creation Place: North America, United States
Culture
American
Persistent Link
https://hvrd.art/o/228066

Location

Location
Level 1, Room 1100, Modern and Contemporary Art, The Sixties Experiment/Multiple Strategies
View this object's location on our interactive map

Physical Descriptions

Medium
PVA paint on canvas
Dimensions
259.1 x 365.8 cm (102 x 144 in.)
framed: 261.6 x 368.3 x 5.4 cm (103 x 145 x 2 1/8 in.)

Provenance

Recorded Ownership History
Kenneth Noland, South Shaftsbury, Vermont, gift; to Fogg Art Museum, 1965.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Kenneth Noland
Copyright
© Kenneth Noland Estate / Artists Rights Society (ARS), New York
Accession Year
1965
Object Number
1965.22
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Michael Fried, Three American Painters, exh. cat., Fogg Art Museum (Cambridge, MA, 1965), reproduced in b/w no. 2
  • Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 164, ill.
  • Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, reproduced in b/w, fig. 72, p. 79
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 240, p. 209, repr. in b/w
  • Ellen Davis, Talia Kwartler, and Ana Martins, Collage Logic in Max Ernst’s ‘Woman, Old Man, and Flower’ (1923-24), The Burlington Magazine, The Burlington Magazine Publications, Ltd. (https://www-burlington-org-uk.ezp-prod1.hul.harvard.edu/archive/back-issues/202103, March 2021), 163 (1416), Pages 261-263

Exhibition History

  • American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972
  • Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986
  • 32Q: 1100, Harvard Art Museums, Cambridge, 04/07/2025 - 01/01/2050

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu