Photo © President and Fellows of Harvard College
Gallery Text

Vignon was trained in Paris, but traveled to Rome as a young artist. Like many other artists living in Rome, he was influenced by the naturalism and dramatic lighting of Caravaggio. That influence is apparent here in this half-length depiction of Saint Paul, who is pushed close to the picture plane and seems to address the viewer directly, creating a life-like presence.Saint Paul holds a sword, an attribute referring to his later martyrdom. The books, papers, and quill relate to his role as one of the authors of the New Testament and the many letters he penned. The small, intimate format of the painting suggests that it was commissioned for private devotional use, perhaps by an educated patron who identified with the scholarly activities of the saint. It is possible that this is the painting of Saint Paul men-tioned in the 1627 inventory of Cardinal Francesco Maria Del Monte, an early patron of Caravaggio who had an important collection of Caravaggesque paintings.

Identification and Creation
Object Number
Claude Vignon, French (Tours 1593 - 1670 Paris)
Saint Paul
Work Type
Persistent Link
Physical Descriptions
Oil on canvas
95 x 116.5 cm (37 3/8 x 45 7/8 in.)
framed: 106.8 x 129.4 x 8.3 cm (42 1/16 x 50 15/16 x 3 1/4 in.)
[Commissaires-Priseurs: Ader, Picard, Tajan, Drouot Montaigne, Paris, June 29, 1989, lot 5]. [Christie's, London, December 13, 1991, lot 222]. [1] [Christie's, London, April 23, 1993, lot 216], sold; to Harvard Art Museums, 1993

[1] The painting was bought in at the 1991 sale.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Purchase through the generosity of an Anonymous Donor
Accession Year
Object Number
European and American Art
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History

Important and Fine Old Master Pictures, auct. cat., Christie's, London (London, December 13, 1991), lot no. 222

Paola Pacht Bassani, Claude Vignon (1593-1670), Arthena (Paris, 1992), p. 174, fig. 14, repr.

Important and Fine Old Master Pictures, auct. cat., Christie's, London (London, April 23, 1993), p. 170, lot 216

Important Old Master Pictures, auct. cat., Christie's, London (London, December 7, 2006), under lot 64

Matthias Waschek, Marjorie B. Cohn, Judith Mann, and Stephan Wolohojian, Ideal [Dis-] Placements: Old Masters at the Pulitzer, exh. cat., Pulitzer Arts Foundation (St. Louis, 2008), p. 20, cat. no. 13

Gedi Sibony, Marjorie B. Cohn, and Emily Rauh Pulitzer, In the Still Epiphany, exh. cat., Pulitzer Arts Foundation (St. Louis, MO, 2012), p. 47, repr. [on display at Pulitzer Foundation]

Exhibition History

Ideal [Dis-] Placements: Old Masters at the Pulitzer, Pulitzer Arts Foundation, St. Louis, 10/24/2008 - 10/03/2009

32Q: 2400 French/Italian/Spanish, Harvard Art Museums, Cambridge, 03/28/2019 - 07/27/2021

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at