2002.50.161: The Execution of Afrasiyab (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
ManuscriptsIdentification and Creation
- Object Number
- 2002.50.161
- Title
- The Execution of Afrasiyab (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
- Classification
- Manuscripts
- Work Type
- manuscript folio
- Date
- 1562
- Places
- Creation Place: Middle East, Iran
- Period
- Safavid period
- Culture
- Persian
- Persistent Link
- https://hvrd.art/o/146522
Physical Descriptions
- Medium
- Ink, opaque watercolor, gold, and silver on paper
- Dimensions
- 37.2 x 23.8 cm (14 5/8 x 9 3/8 in.)
Provenance
- Recorded Ownership History
- [Christies, London, 17 October 1995, lot no. 79]. [Mansour Gallery, London, before 1998], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
- Accession Year
- 2002
- Object Number
- 2002.50.161
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
The Turanians were at last defeated in battle, but their king, Afrasiyab, escaped. Eventually Hum, a recluse, discovered Afrasiyab hiding in a cave in the mountains and brought him to Kay Khusraw. In revenge for Siyavush’s murder, the Iranian king put Afrasiyab to death in the same manner, beheading him with a sword and collecting his blood in a basin. Afrasiyab’s brother Garsivaz, who had been present at Siyavush’s execution, was also put to death.
The illustration shows the beheading of the old Turanian king, witnessed rather than performed by Kay Khusraw, who sits on a throne surrounded by his retinue. Afrasiyab’s severed head rolls leftward off the carpet. In another departure from the text, the artist has omitted the basin used to catch Afrasiyab’s blood.
Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
86 A–B
Double page: The Execution of Afrasiyab
A. Verso: text, with title “Kay Khusraw asks about Garsivaz”
Folio: 37.2 × 24.1 cm (14 5/8 × 9 1/2 in.)
2002.50.162
B. Recto: text and illustration, with title “The execution of Afrasiyab before Kay Khusraw”
Folio: 37.2 × 23.8 cm (14 5/8 × 9 3/8 in.)
2002.50.161
The Turanians were at last defeated in battle, but their king, Afrasiyab, escaped. Eventually Hum, a recluse, discovered Afrasiyab hiding in a cave in the mountains and brought him to Kay Khusraw. In revenge for Siyavush’s murder, the Iranian king put Afrasiyab to death in the same manner, beheading him with a sword and collecting his blood in a basin. Afrasiyab’s brother Garsivaz, who had been present at Siyavush’s execution, was also put to death.
The illustration shows the beheading of the old Turanian king, witnessed rather than performed by Kay Khusraw, who sits on a throne surrounded by his retinue. Afrasiyab’s severed head rolls leftward off the carpet. In another departure from the text, the artist has omitted the basin used to catch Afrasiyab’s blood.
Mika M. Natif
Publication History
- Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), p. 231, cat. 86 A-B, ill.
Exhibition History
- Re-View: S231 (Islamic rotation: 5) Heroic Gestes: Epic Tales from Firdawsi's Shahnama, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 06/18/2010 - 11/27/2010
- In Harmony: The Norma Jean Calderwood Collection of Islamic Art, Harvard Art Museums, Cambridge, 01/31/2013 - 06/01/2013
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu